Part biography and part literary history, this book is about the experience of the American modernist poet Wallace Stevens in the 1930s. Stevens is generally thought to have antagonized, even enraged, the young literary radicals of the period; his long poem, "Owl's Clover", has been generally understood as a negative, even bitter response to leftist aesthetics. Using the archives of many little-known political poets, Alan Filreis offers a detailed description of various literary-political battles, in which the very texture of the positions taken up in the movement between left and right...

Flannery O'Connor and Cold War Culture offers a radically new reading of O'Connor, who is known primarily as the creator of "universal" religious dramas. By recovering the historical context in which O'Connor wrote her fiction, Jon Lance Bacon reveals an artist deeply concerned with the issues that engaged other producers of American culture from the 1940s to the 1960s: a national identity, political anxiety, and intellectual freedom. Bacon takes an interdisciplinary approach, relating the stories and novels to political texts and sociological studies, as well as films, television programs,...

Dos Passos and the Ideology of the Feminine is an original contribution to traditional Dos Passos scholarship, which tends to focus on the author's political agenda. In this book, Janet Casey takes a cultural studies approach that situates both the author and his finest fiction in relation to representations and theorizations of gender in the 1920s and 1930s. Its primary focus is the manner in which Dos Passos responds to prevalent ideas about the feminine, as well as the way that such ideas have affected his ongoing reputation.

Kenneth Asher examines the influence of French reactionary thinking on Eliot's prose and poetry and argues that this political inheritance provided the intellectual framework Eliot employed throughout his career.

Edith Wharton emerges in this book as a novelist of morals (rather than manners). Behind her polished portraits of upper-class New York life is a thoughtful, questioning spirit. This book analyzes Wharton's religion and philosophy in short stories and seven major novels. It considers Wharton in terms of nineteenth- and early-twentieth-century American intellectual and religious life. It also analyzes Wharton in terms of her gender and class, explaining how this aristocratic woman applies and yet transforms both the classical and Christian traditions that she inherits.

Jeffrey Hammond's study of the funeral elegies of early New England reassesses a body of poems whose importance in their own time has been obscured by almost total neglect in ours. Hammond reconstructs the historical, theological and cultural contexts of these poems to demonstrate how they responded to Puritan views on a specific process of mourning. The elegies emerge, he argues, as performative scripts that consoled readers by shaping their experience. They shed new light on the emotional dimension of Puritanism and the important role of ritual in Puritan culture.

Focusing on key works of late-nineteenth and early- twentieth-century American literary realism, Phillip Barrish traces the emergence of new ways of gaining intellectual prestige--that is, new ways of gaining some degree of cultural recognition. Through extended readings of works by Henry James, William Dean Howells, Abraham Cahan, and Edith Wharton, Barrish emphasizes the differences between realist modes of cultural authority and those associated with the rise of the social sciences.

As a central icon of political and cultural democracy, the crowd occupies a prominent place in the American literary and cultural landscape. Mary Esteve examines a range of writing by Poe, Hawthorne, Du Bois, James, and Stephen Crane to provide a study of crowd representations in American literature from the antebellum era to the early twentieth century. She argues that these writers examined the aesthetic and political meanings of urban crowd scenes.

Why did the figure of "the girl" come to dominate the American imagination from the middle of the nineteenth century into the twentieth? Peter Stoneley looks at how women were fictionalized for the girl reader as ways of achieving a powerful social and cultural presence. Covering a wide range of works and writers, this book is of interest to cultural and literary scholars.

Ralph Bauer presents a comparative investigation of colonial prose narratives in Spanish and British America from 1542 to 1800. Bauer analyzes narratives of shipwreck, captivity, and travel, as well as imperial and natural histories of the New World in the context of transformative early modern scientific ideologies. He reviews the narrative models promoted by the "New Sciences" during the sixteenth and seventeenth centuries within the context of the geopolitical question of how knowledge can be centrally controlled in outwardly expanding empires.