The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel
The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by...

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel

The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by...

Edited by the eminent A.R. Braunmuller, this thorough edition of King John--the first scholarly edition in almost fifteen years--makes a significant contribution to the study of Shakespeare's works. Braunmuller offers a wide-ranging critical introduction, which focuses on the play's political relevance in Elizabethan England, its relationship to legal issues of the day, its treatment of women and families, and its overall aesthetic importance in Shakespeare's early career. He also provides a richly detailed stage history, full annotations that are especially sensitive to the play's...

Edward III is a major new addition to the Shakespearean canon. Melchiori claims that Shakespeare is the author of a significant part of the play, the extent of which is discussed in detail. The introduction explores the play's historical background and its relationship to the early cycle of history plays. The commentary examines in depth the play's linguistic and poetic features, while an extensive appendix on the use of sources explains the stages of its composition.

This new edition of the Companion provides updated information about the principal theaters, playwrights and plays of the most important period of English drama, from 1580-1642. Revised essays are included in chapters on theaters, dramaturgy, political plays, heroic plays, burlesque, comedy, tragedy, and drama produced during the reign of Charles I. Their references have been updated and the substantial biographical and bibliographical section has been expanded. First Edition Hb (1990): 0-521-34657-6 First Edition Pb (1990): 0-521-38662-4

This is the first modernized and edited version of the 1622 text of Othello. It consists of a detailed introduction, quarto text, select collation and textual notes and is an important book for scholars in Shakespeare and Elizabethan-Jacobean drama, with wide ramifications for other Shakespeare textual studies and for students of early theatre history.

This edition of King Lear is based on the first (1608) quarto and represents a significantly different version from that published in the Folio of 1623, which forms the basis of the standard New Cambridge Shakespeare edition. Most scholars now believe that the quarto derives from what was probably Shakespeare's own autograph draft of the play, whereas the Folio derives from a late, revised copy used as the prompt-book. Each has numerous unique passages and hundreds of variant readings, creating differences which affect the structure, characterization and overall impact of the play. This...

The Quarto text of King Henry V is of unique importance. It has the authority of being transcribed by actors in Shakespeare's own company as a record of their first performances of the play at the Globe in 1599. Half as long as the 1623 First Folio version, it represents a practical staging text that streamlined the script supplied by Shakespeare. Andrew Gurr examines each variant from the Folio text in detail, shedding new light on what happened to scripts that the Shakespeare company bought from their resident playwright.

Alexander Leggatt has written a new Introduction to this updated edition of Russell Fraser's text on one of Shakespeare's most ambiguous plays. Leggatt's interest in performance informs his introduction and account of the instability of the main characters. He offers a thoughtful account of the play's critical and theatrical fortunes to the end of the twentieth century, as well as of the audience experience. An updated reading list completes the edition. First Edition Hb (1986): 0-521-22150-1 First Edition Pb (1986): 0-521-29365-0

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Macbeth provides a thorough reconsideration of one of Shakespeare's most popular plays. In his introduction, A. R. Braunmuller explores Macbeth's immediate theatrical and political contexts, particularly the Gunpowder Plot, and addresses such celebrated questions...