Interpreting the Moving Image is a collection of essays by one of the most astute critics of cinema at work today. This volume provides a close analysis of major films of both the narrative and the avant-garde traditions. Written in accessible and enaging language, it also serves as a guide to such classics as The Cabinet of Dr. Caligari and Citizen Kane, as well as the art of cinema in the postmodern era.
Interpreting the Moving Image is a collection of essays by one of the most astute critics of cinema at work today. This volume provides a close analys...
The most comprehensive treatment of Satyajit Ray's work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century. Providing analyses of selected films, including those that comprise The Apu Trilogy, Chess Players, and Jalsaghar, among others, Darius Cooper outlines Western influences on Ray's work, such as the plight of women functioning within a patriarchal society, Ray's political vision of the "doubly colonized," and his attack and critique of the Bengali/Indian middle class of today.
The most comprehensive treatment of Satyajit Ray's work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creati...
Vera Dika explores the reuse of images, plots and genres of film history from a broad range of critical perspectives. Examining works of art and film that resist the pull of the past, Dika provides an in-depth analysis within a variety of media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Her study analyzes avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.
Vera Dika explores the reuse of images, plots and genres of film history from a broad range of critical perspectives. Examining works of art and film ...
This volume finds the proper place of psychoanalytic thought in critical analysis of cinema through a series of essays that debate its legitimacy, utility, and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.
This volume finds the proper place of psychoanalytic thought in critical analysis of cinema through a series of essays that debate its legitimacy, uti...
Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carne, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in...
Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors ...
Breathless, a low-budget film, came to be regarded as one of the major accomplishments of the French New Wave cinema of the early sixties. It had a tremendous influence on French filmmakers and on world cinema in general. Beyond its significance in film history, it was also a film of considerable cultural impact. In Breathless, Jean-Luc Godard captured the spirit of a disillusioned generation and fashioned a style, which drew on the past, to parade that disillusionment. In his introduction, Dudley Andrew brilliantly explains what Godard set out to accomplish in Breathless. He illuminates the...
Breathless, a low-budget film, came to be regarded as one of the major accomplishments of the French New Wave cinema of the early sixties. It had a tr...
The story of Paris in the 1930s seems straightforward enough, with the Popular Front movement leading toward the inspiring 1936 election of a leftist coalition government. The socialist victory, which resulted in fundamental improvements in the lives of workers, was then derailed in a precipitous descent that culminated in France's capitulation before the Nazis in June 1940. Yet no matter how minutely recounted, this "straight story" clarifies only the political activity behind which turbulent cultural currents brought about far-reaching changes in everyday life and the way it is...
The story of Paris in the 1930s seems straightforward enough, with the Popular Front movement leading toward the inspiring 1936 election of a lefti...
Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of images was a central preoccupation of twentieth-century philosopher Walter Benjamin, who recognized that film would become a vehicle not only for the entertainment of the masses but also for consumerism and even communism and fascism.
In this volume, experts in film studies and art history take up the debate, begun by Benjamin, about the power and scope of the image in a secular age. Part I aims to bring Benjamin's concerns to life in essays...
Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of imag...
With the full range of his voluminous writings finally viewable, Andre Bazin seems more deserving than ever to be considered the most influential of all writers on film. His brief career, 1943-58, helped bring about the leap from classical cinema to the modern art of Renoir, Welles, and neorealism. Founder of Cahiers du Cinema, he encouraged the future New Wave directors to confront his telltale question, What is Cinema? This collection considers another vital question, Who is Bazin? In it, thirty three renowned film scholars--including de Baecque, Elsaesser,...
With the full range of his voluminous writings finally viewable, Andre Bazin seems more deserving than ever to be considered the most influential of a...
Renoir on Renoir is a 1990 collection of essays by, and interviews of, the legendary filmmaker Jean Renoir, who created such classics as The Grand Illusion, The River and The Rules of the Game. Renoir's career in cinema, which straddled the transition from silent film to the talkies, has influenced a subsequent generation of filmmakers. Between 1954 and 1967, Renoir was interviewed by such eminent filmmakers and theorists as Jacques Rivette, Francois Truffaut and Jacques Becker. The interviews were originally recorded and published in the distinguished French film review Cahiers du Cinema,...
Renoir on Renoir is a 1990 collection of essays by, and interviews of, the legendary filmmaker Jean Renoir, who created such classics as The Grand Ill...
