Polykleitos of Argos, who flourished between 450 and 420 BC, is one of the most celebrated sculptors of classical Greece. A philosopher and theoretician as well as a sculptor, Polykleitos sought to capture the ideal proportions of the human body, and his work was frequently copied. This illustrated volume of essays by art historians, classical scholars and archaeologists discusses Polykleitos' life and influence, his intellectual and cultural milieu, and his best-known work, the Doryphoros, or Spearbearer.

This work shows that the worship of heroines, as well as of gods and heroes, was widespread in the Greek world from the 8th through the 4th centuries BC. Drawing upon textual, archaeological and iconographic evidence as diverse as ancient travel writing, ritual calendars, votive reliefs, and Euripidean drama, Jennifer Larson demonstrates the pervasiveness of heroine cults at every level of Athenian society.

Exile is a political act involving loss of power. Five authors -- Cicero, Ovid, Seneca the Younger, Dio Chrysostomus, and Anicius Manlius Boethius -- all exiled from Rome, are examined in this fascinating study of the depiction of exile. Although separated from the first four by several centuries, Boethius has an intellectual, circumstantial, and spiritual affinity with them. Jo-Marie Claassen explores the various means of literary sublimation that individual exiles found for the feeling of social and political isolation that they experienced.

Exile is a political act involving loss of power. Five authors -- Cicero, Ovid, Seneca the Younger, Dio Chrysostomus, and Anicius Manlius Boethius -- all exiled from Rome, are examined in this fascinating study of the depiction of exile. Although separated from the first four by several centuries, Boethius has an intellectual, circumstantial, and spiritual affinity with them. Jo-Marie Claassen explores the various means of literary sublimation that individual exiles found for the feeling of social and political isolation that they experienced.

The second century BCE is one of the most prolific periods in the production of Greek and Hellenistic art, but it is a period extremely vexing to scholars. Very few of the works traditionally cited as examples of this century's art can be dated with certainty, and those that plausibly belong to it reflect no general trends in function, iconography or style. In the second of Ridgway's three planned volumes on Hellenistic sculpture, she takes on the challenge of interpreting and dating the art of this complex and lively century.

Ten years after publishing his first collection of lyric poetry, "Odes I-III," Horace (65 B.C.-8 B.C.) returned to lyric and published another book of fifteen odes, "Odes IV." These later lyrics, which praise Augustus, the imperial family, and other political insiders, have often been treated more as propaganda than art. But in "A Symposion of Praise," Timothy Johnson examines the richly textured ambiguities of "Odes IV" that engage the audience in the communal or "sympotic" formulation of Horace's praise. Surpassing propaganda, "Odes IV" reflects the finely nuanced and imaginative poetry of...

In these translated poems, David Mulroy aims to bring to life the witty, poignant and brutally direct voice of a flesh-and-blood man, a young provincial in Julius Caesar's Rome, reacting to real people and events in a city full of violent conflict among individuals marked by genius and megalomaniacal passions. These translations are accompanied by: an introduction and commentary that provide biographical and bibliographical information about Catullus; a history of his times; a discussion of the translations; and definitions and notes.