Blasted brought Sarah Kane to the theatre pages of the broadsheets, the front pages of the tabloids, and to the notice of the nation. Covers all Kane's major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. A chapter-by-chapter analysis looks at each play in detail and the appendices carry transcripts of interviews with colleagues and leading theatre practitioners involved with her productions. This book is the first study of the most significant British dramatist in post-war theatre and includes...

Negotiating Cultures is a collection of essays and interviews that examines the role of cultural fusion, negotiation, and conflict in Eugenio Barba's creative work, research, and theories about theatrical performance. Barba, one of Europe's leading theatre artists, researchers, and theorists, has been at the cutting edge of the contemporary preoccupation with what Homi Bhabha calls the borders between cultures.

Paris has always exerted a magnetic force on artists. A natural haven for those fleeing the Russian Revolution in the early years of the twentieth century, it later offered safety to artists escaping oppressive regimes in Europe and farther afield. In recent years it has welcomed performers, artists and intellectuals from Middle and Far Eastern countries, from Africa and Latin America, offering strategies for the practice of theatre in a new Europe of ever-shifting boundaries. This book examines the creation and development of communities of actors, directors, designers and playwrights in...

This is a wide-ranging look at the state of contemporary theatre practice, economics, and issues related to identity, politics, and technology. The volume offers a snapshot dissection of where theatre is, where it has been and where it might be going through the voices of established and emerging theatre artists and scholars from the UK, US and elsewhere. An examination of how to make theatre in a time of crisis and why it is a vital form of communication are at the heart of the book's mission.

Making contemporary theatre reveals how some of the most significant international contemporary theatre is actually made.
The book opens with an introductory chapter which contextualises recent trends in approaches to theatre-making. In the ensuing eleven chapters, eleven different writer-observers describe, contextualise and analyse the theatre-making practices of eleven different companies and directors, including Japan's Gekidan Kaitaisha and the Quebecois director Robert Lepage. Each chapter is enriched with extensive illustrations as well as boxed-off 'asides', giving the reader...

The politics of Jean Genet's late theatre is the first publication to situate the politics of Genet's theatre within the social, spatial and political contexts of France in the 1950s and 1960s. The book's innovative approach departs significantly from existing scholarship on Genet. Where scholars have tended to bracket Genet as either an absurdist, ritualistic or, more recently, a resistant playwright, this study argues that his theory and practice of political theatre have more in common with the affirmative ideas of thinkers such as Henri Lefebvre, Jacques Ranciere and Alain Badiou. By...