Distinguished scholars and artists consider the mingling of Eastern and Western cultures and traditions in theatre.
The divergent cultures of East and West had been completely separated from one another for so long that their mutual discovery, beginning a little more than a hundred years ago, has had fascinating and invigorating results, especially in the drama.
This volume gathers papers, discussion notes, and essays on three major topics: Kabuki and the West; Crosscurrents in the Drama: East and West; and Theatrical Influences between East and West: Enrichment through...
Distinguished scholars and artists consider the mingling of Eastern and Western cultures and traditions in theatre.
A collection of pieces examining the theatre's role in fostering a culture enamoured of violence. Areas covered include violence as an integral part of dramatic text and performance, facets of the staging of violence, and examples of theatrical violence at the fringes of social acceptability.
A collection of pieces examining the theatre's role in fostering a culture enamoured of violence. Areas covered include violence as an integral part o...
This collection of essays explores the various ways that maleness and femaleness were depicted on stage and influenced theatre in the Victorian era.
This collection of essays explores the various ways that maleness and femaleness were depicted on stage and influenced theatre in the Victorian era.
<...
How were racial issues and relationships portrayed, surmounted, influenced, and understood in the 19th and early 20th century theater?
The essays in this collection were selected from among papers delivered at the April 2002 Southeastern Theatre Conference s annual symposium held at Elon University in North Carolina. They address issues of race and ethnicity on the southern stage, in plays about the South, and in public performances, including minstrel shows, vaudeville, melodrama, puppetry, folk dramas, musical, social realism, and the public theaters of criminal justice...
How were racial issues and relationships portrayed, surmounted, influenced, and understood in the 19th and early 20th century theater? <...
The essays gathered together in Volume 15 of the annual journal Theatre Symposium investigate how, historically, the theatre has been perceived both as a source of moral anxiety and as an instrument of moral and social reform.Essays consider, among other subjects, ethnographic depictions of the savage other in Buffalo Bill s engagement at the Columbian Exposition of 1893; the so-called Moral Reform Melodrama in the nineteenth century; charity theatricals and the ways they negotiated standards of middle-class respectability; the figure of the courtesan as a barometer of late nineteenth...
The essays gathered together in Volume 15 of the annual journal Theatre Symposium investigate how, historically, the theatre has been perceived...
This collection of essays explores how drama can teach political principles and entertain at the same time.
Political commentary is possible through "variety" theatre, this volume contends. Compiled from the April 2000 Theatre Symposium held on the campus of the University of Tennessee-Knoxville, this collection of essays presents a compelling mix of theoretical and practical viewpoints from a broad diversity of scholars from around the country.
What remains to be learned about the political objectives of Brecht's Lehrstriucke? What political power is resident...
This collection of essays explores how drama can teach political principles and entertain at the same time.
Stage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience. However, a skillfully used prop can augment the action, just as a malfunctioning prop can destroy the illusion of the scene. The essays in Theatre Symposium: Volume 18 approach the subject of stage props from many angles, and include examinations of props in contemporary and historical productions, explorations of the cultural significance of specific props, and arguments about the nature of the...
Stage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the perf...
Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the same ways? The...
Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of f...
The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and...
The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between perfo...
Volume 21 of Theatre Symposium presents essays that explore the intricate and vital relationships between theatre, religion, and ritual. Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been clear and vital connections among the three. Ritual, Religion, and Theatre, volume 21 of the annual journal Theatre Symposium, presents a series of essays that explore the intricate and vital relationships that exist, historically and today, between these various modes of expression and performance. The essays in this volume discuss...
Volume 21 of Theatre Symposium presents essays that explore the intricate and vital relationships between theatre, religion, and ritual. Whether o...