The four hundredth anniversary of Shakespeare s death in 2016 has seen a wealth of programming, projecting his cultural legacy, entertainment value, and economic impact at sites all across the world. The essays assembled for Volume 16 of The Shakespearean International Yearbook explore the various ways Shakespeare has been invoked at a selection of those sites. An international group of scholars illustrate his global complexity and diversity, exploring the reproduction of his plays, their intersection and transformation in places both well-known and unfamiliar. Our Special Section,...

Sound provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as music, speech and soundscape, this volume will open up the study of theatrical production and live performance to engage more effectively its aural dimensions. By way of developed case studies, including Shakespeare's The Tempest and Pina Bausch's dance-theatre piece 1980, readers will access new methodologies and approaches for their own exploration of 'sound' as a performance component. In an engagement with the...

Starting with a premise that memory holds such a privileged place in contemporary experience, Theory for Theatre Studies: Memory explores the intersections between contemporary theatre and performance, the interdisciplinary field of memory studies, and current preoccupations with the politics of memory across the globe. After offering a fresh critical snapshot of the major theoretical foundations for the study of memory today, the book presents vivid theatrical examples from across the globe and compellingly illustrates the centrality of memory for the theatre as well as the vital...

Starting with a premise that memory holds such a privileged place in contemporary experience, Theory for Theatre Studies: Memory explores the intersections between contemporary theatre and performance, the interdisciplinary field of memory studies, and current preoccupations with the politics of memory across the globe. After offering a fresh critical snapshot of the major theoretical foundations for the study of memory today, the book presents vivid theatrical examples from across the globe and compellingly illustrates the centrality of memory for the theatre as well as the vital...

Sound provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as music, speech and soundscape, this volume will open up the study of theatrical production and live performance to engage more effectively its aural dimensions. By way of developed case studies, including Shakespeare's The Tempest and Pina Bausch's dance-theatre piece 1980, readers will access new methodologies and approaches for their own exploration of 'sound' as a performance component. In an engagement with the...

The body in performance. The performing body. The body of the audience. How do these three, overlapping bodies determine how we understand the theatrical experience? In important ways, theatrical representations of the body and embodied performance allow audiences, performers, and scholars to consider how identity, authenticity, and physical experience intersect with understandings of race, class, gender, and sexuality. Using case studies including Marlon Brando's seminal Method performance in A Streetcar Named Desire, and the Wooster Group's recreation of Hamlet starring...

The body in performance. The performing body. The body of the audience. How do these three, overlapping bodies determine how we understand the theatrical experience? In important ways, theatrical representations of the body and embodied performance allow audiences, performers, and scholars to consider how identity, authenticity, and physical experience intersect with understandings of race, class, gender, and sexuality. Using case studies including Marlon Brando's seminal Method performance in A Streetcar Named Desire, and the Wooster Group's recreation of Hamlet starring...