This classic text brings a period of Russian literature to life and demonstrates how the battles over the positive hero reappeared with dramatic clarity in the dissident literary movement after Stalin's death. Mathewson argues that the true continuity between nineteenth- and twentieth-century Russian prose was to be found in this persistent conflict between contrary views of the real nature and proper uses of literature. This new edition includes chapters on Belinsky, Pasternak, Solzhenitsyn, and Sinyavsky.

First published in 1968, this classic is a richly detailed study of the eponymous journal that was the most significant Soviet literary journal of the 1920s. It is also a comprehensive survey of Soviet literary culture in a critical period when writers could still engage in public debate.

Late Imperial Russia's revolution in literacy touched nearly every aspect of daily life and culture, from social mobility and national identity to the sensibilities and projects of the country's greatest writers. Within a few decades, a ragtag assembly of semi-educated authors, publishers and distributors supplanted an oral tradition of songs and folktales with a language of popular imagination suitable for millions of new readers of common origins eager for entertainment and information. This title tells the story of this profound transformation of culture, custom and belief.

A wide-ranging consideration of the nature and significance of Pushkin's African heritage
Roughly in the year 1705, a young African boy, acquired from the seraglio of the Turkish sultan, was transported to Russia as a gift to Peter the Great. This child, later known as Abram Petrovich Gannibal, was to become Peter's godson and to live to a ripe old age, having attained the rank of general and the status of Russian nobility. More important, he was to become the great-grandfather of Russia's greatest national poet, Alexander Pushkin. It is the contention of the editors of this book, borne...

Seven years after the death of Anton Chekhov, his sister, Maria, wrote to a friend, "You asked for someone who could write a biography of my deceased brother. If you recall, I recommended Iv. Al. Bunin . . . . No one writes better than he; he knew and understood my deceased brother very well; he can go about the endeavor objectively. . . . I repeat, I would very much like this biography to correspond to reality and that it be written by I.A. Bunin."
In About Chekhov Ivan Bunin sought to free the writer from limiting political, social, and aesthetic assessments of his life and work,...

Throughout the development of modern Russian society, the memoir, with its dual agendas of individualized expression and reliable report-age, has maintained a popular and abiding national genre "contract" between Russian writers and readers. The essays in this volume seek to appreciate the literary construction of this much read, yet little analyzed, form and to explore its functions as interpretive history, social modelling, and political expression in Russian culture. The memoirs under scrutiny range widely, including those of the "private person" Princess Natalia Dolgorukaia, sophisticated...