As someone who feels the emotional power of rock and who writes about it as an art form, Theodore Gracyk has been praised for launching arguments destined to change the future of rock and roll. In I Wanna Be Me, his second book about the music he cares so much about, Gracyk grapples with the ways that rock shapes - limits and expands - our notions of who we can be in the world.
As someone who feels the emotional power of rock and who writes about it as an art form, Theodore Gracyk has been praised for launching arguments dest...
Since the 1950s, writing about popular music has become a staple of popular culture. "Rolling Stone", "Vibe", and "The Source" as well as music columns in major newspapers target consumers who take their music seriously. Rapidly proliferating fanzines, websites, and internet discussion groups enable virtually anyone to engage in popular music criticism. Until now, however, no one has tackled popular music criticism as a genre of journalism with a particular history and evolution. "Pop Music and the Press" looks at the major publications and journalists who have shaped this criticism,...
Since the 1950s, writing about popular music has become a staple of popular culture. "Rolling Stone", "Vibe", and "The Source" as well as music column...
Fans and detractors of popular music tend to agree on one thing: popular music is a bellwether of an individual's political and cultural values. In the United States, for example, one cannot think of the counterculture apart from its music. For that reason, in virtually every country in the world, some group identifies popular music as a source of potential danger and wants to regulate it. "Policing Pop" looks into the many ways in which popular music and artists around the world are subjected to censorship, ranging from state control and repression to the efforts of special interest or...
Fans and detractors of popular music tend to agree on one thing: popular music is a bellwether of an individual's political and cultural values. In th...
Fans of popular music tend to agree on one thing: popular music is a bellweather of an individual's political and cultural values. In the USA, for example, one cannot think of the counterculture apart from its music. For that reason, in virtually every country in the world, some group identifies popular music as a source of potential danger and wants to regulate it. This work looks into the many ways in which popular music and artists around the world are subjected to censorship, ranging from state control and repression to the efforts of special interest or religious groups to limit...
Fans of popular music tend to agree on one thing: popular music is a bellweather of an individual's political and cultural values. In the USA, for exa...