This study brings together work on masculinity in film by established film scholars, academics, performance artists, and cultural critics. The essays analyze: the role of gay men in saving heterosexuality; the emergence of the new queer cinema; the resurgence of white masculinity; the exploration of masculinity in World War II films; and the relationship between nationhood and the male body in 1990s Canadian cinema.

Defining Cinema is the first book to bring together leading theorists and scholars to discuss the importance of film theory to cinema studies. Peter Lehman introduces the volume by explaining what constitutes film theory and outlining the major positions within the field by placing these five theorists and their work within a historical perspective. Andre Bazin and Siegfried Kracauer represent realist film theories, and Sergei Eisenstein represents a formalist position. Noel Burch and Christian Metz are contemporary theorists who have moved beyond the classical realist-formalist opposition....

Porn is big business. By some estimates, it grosses more revenue per year than the entire "legitimate" film and entertainment industry. Most large hotel chains offer pay-for-view adult movies, many video stores have adult movie rental sections, and Internet porn sites have proliferated by the thousands. With porn so ubiquitous in mainstream American culture, why is it that when "respectable" people talk about this phenomenon, they act puzzled, as if they cannot imagine who would watch such worthless and meaningless smut?

In this collection of path-breaking essays, thirteen respected...

In many ways a traditional western, The Searchers (1956) is considered by critics to be one of the greatest Hollywood films, made by the most influential of western directors. But John Ford's classic work, in its complexity and ambiguity, was a product of post-World War II American culture and sparked a deconstruction of the western film myth by looking unblinkingly at white racism and violence and suggesting its social and psychological origins. The film tells the story of the kidnapping of the niece of Ethan Edwards (John Wayne) by Comanche Indians and Edward's long search to find her -...

Roy Orbison's musicOCowhether heard in his own recordings or in cover versions of his songsOCois a significant part of contemporary American culture despite the fact that he died almost a generation ago. Few of today's listeners know or remember how startlingly unique he seemed at the height of his career in the early 1960s. In this book, Peter Lehman looks at the long span of Orbison's career and probes into the uniqueness of his songs, singing, and performance style, arguing that singer/songwriters no less than filmmakers can be considered as auteurs.Unlike other pop stars, Orbison was a...

Running Scared responds to the absence of critical attention to male sexuality in film by bringing representations of phallic masculinity into the spotlight. In his analysis of films, novels, paintings, photographs, popular music, jokes, and videos, Peter Lehman investigates the patriarchal culture that keeps the male body - and especially male genitals - out of sight. Lehman documents the pervasive anxiety underlying images of the male body, arguing that attempts to keep male sexuality hidden in the pursuit of good taste and an avoidance of perversion maintains the male mystique and...

Titanic. Two Moon Junction. A Night in Heaven. Sirens. Henry & June. 9 Songs. Lady Chatterley. And more. A new "body guy" genre has emerged in film during the last twenty years-a working-class man of the earth or bohemian artist awakens and fulfills the sexuality of a beautiful, intelligent woman frequently married or engaged to a sexually incompetent, educated, upper-class man. This body guy exhibits a masterful athletic, penile-centered sexual performance that enlivens and transforms the previously discontented woman's life.

Peter Lehman...