The story of Katherina and her marriage to Petruchio has been popular in the theater for four centuries, but the joke of taming an unruly woman has long been growing increasingly controversial. This edition examines how theater directors and performers have explored the complexities of Katherina's story and that of Christopher Sly, the poor man whose story frames hers. It surveys productions in the English-speaking world, reviewing precise details of the stage action in a social and political context.

The story of Katherina and her marriage to Petruchio has been popular in the theater for four centuries, but the joke of taming an unruly woman has long been growing increasingly controversial. This edition examines how theater directors and performers have explored the complexities of Katherina's story and that of Christopher Sly, the poor man whose story frames hers. It surveys productions in the English-speaking world, reviewing precise details of the stage action in a social and political context.

Romeo and Juliet has always been one of Shakespeare's most popular plays on stage and film. This edition provides the full text of the play as well as a thorough account of its production history, equally useful for the scholar, actor and director. The introduction examines major changes over four centuries of theatrical production. The commentary provides detailed examples of how different performers, from Henry Irving and Ellen Terry to Leonardo DiCaprio and Claire Danes, have brought life and death to Shakespeare's star-crossed lovers.

The Merchant of Venice has had a rich and varied stage history. It has aroused controversy for over four hundred years. The introduction to this edition challenges many of the preconceptions associated with the play, showing how historical events and cultural attitudes have influenced actors' interpretations and audience responses. The commentary describes how actors, directors and designers have approached the play from the first performances in the 1590s to the present.

The Merchant of Venice has had a rich and varied stage history. It has aroused controversy for over four hundred years. The introduction to this edition challenges many of the preconceptions associated with the play, showing how historical events and cultural attitudes have influenced actors' interpretations and audience responses. The commentary describes how actors, directors and designers have approached the play from the first performances in the 1590s to the present.

Providing a detailed history of the play in production, both on stage and on screen, this volume's introduction demonstrates how changing conceptions of gender roles have affected the portrayal of Rosalind. The striking differences between the British tradition and the freer treatment the play has received abroad are discussed, as well as the politics of "court" versus "country." Printed alongside the New Cambridge edition of the text, the commentary draws on primary sources to illuminate how costuming, stage business, design, and directorial choices have affected the play's performance.

This edition of The Tempest is the first dedicated to its stage history. Dymkowski examines four centuries of mainstream, regional, and fringe productions in Britain, nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. She analyzes the cultural significance of changes in theatrical representation, eg. when and why Caliban began to be represented by a black actor, and Ariel became a man's role rather than a woman's. The commentary annotates each line of the play with details about acting, setting, textual alteration...

Providing a detailed history of the play in production, both on stage and on screen, this volume's introduction demonstrates how changing conceptions of gender roles have affected the portrayal of Rosalind. The striking differences between the British tradition and the freer treatment the play has received abroad are discussed, as well as the politics of "court" versus "country." Printed alongside the New Cambridge edition of the text, the commentary draws on primary sources to illuminate how costuming, stage business, design, and directorial choices have affected the play's performance.

As social turmoil increased in England, audiences grew more in tune with Shakespeare's cynical undercutting of the Homeric tale of Greeks and Trojans, and less dismissive of his dark comedic treatment of the Medieval tale of Troilus and Cressida. This edition of his problematic play traces its theatrical history. It draws upon critical responses, photographic archives, promptbooks, and video tapes of more recent productions to reveal changes in production styles and emphasis, against a broader background of social change.

As social turmoil increased in England, audiences grew more in tune with Shakespeare's cynical undercutting of the Homeric tale of Greeks and Trojans, and less dismissive of his dark comedic treatment of the Medieval tale of Troilus and Cressida. This edition of his problematic play traces its theatrical history. It draws upon critical responses, photographic archives, promptbooks, and video tapes of more recent productions to reveal changes in production styles and emphasis, against a broader background of social change.