The story of Katherina and her marriage to Petruchio has been popular in the theater for four centuries, but the joke of taming an unruly woman has long been growing increasingly controversial. This edition examines how theater directors and performers have explored the complexities of Katherina's story and that of Christopher Sly, the poor man whose story frames hers. It surveys productions in the English-speaking world, reviewing precise details of the stage action in a social and political context.

The Merchant of Venice has had a rich and varied stage history. It has aroused controversy for over four hundred years. The introduction to this edition challenges many of the preconceptions associated with the play, showing how historical events and cultural attitudes have influenced actors' interpretations and audience responses. The commentary describes how actors, directors and designers have approached the play from the first performances in the 1590s to the present.