Lord Hankey (1877-1963) was a British civil servant and the first Cabinet Secretary, a top aide to Prime Minister David Lloyd George and the War Cabinet that directed Britain in World War One. Mostly derived from the author's diaries, which begin in March 1915, this study describes how Lord Hankey contributed to the development of the British system of Cabinet Government during the war years.

The classic realist text has long been derided by post-structuralist critics as an unsophisticated and reactionary form. In this study, first published in 1992, John Rignall makes a powerful case for the rehabilitation of realism as a self-aware and reflexive genre.

Lord Hankey (1877-1963) was a British civil servant and the first Cabinet Secretary, a top aide to Prime Minister David Lloyd George and the War Cabinet that directed Britain in World War One. Mostly derived from the author's diaries, which begin in March 1915, this study describes how Lord Hankey contributed to the development of the British system of Cabinet Government during the war years.

Peter Hughes explores the work of V. S. Naipaul, and the interplay of fictional and non-fictional patters in what is his obsessive vision of human life. Hughes shows how Naipaul's narratives pair off histories and novels, travel-writing and psycho-biography, reinforcing one another and Naipaul's vision of 'a world undoing itself' - a world of disorder and fantasy.

First published in 1984, this title examines the development of a special rhetoric in Dickens' work, which, by using grotesque effects, challenged the complacency of his middle-class Victorian readers. The study begins by exploring definitions of the grotesque and moves on to look at three key aspects that particularly impacted on Dickens' imagination: popular theatre (especially pantomime), caricature, and the tradition of the Gothic novel.

Modern plays are strikingly diverse and, as a result, any attempt to locate an underlying unity between them encounters difficulties: to focus on what they have in common is often to overlook what is of primary importance in particular plays; to focus on their differences is to note the novelty of the plays without increasing their accessibility. In this study, first published in 1985, Austin E. Quigley takes as his paradigm case the relationship between the world of the stage and the world of the audience, and explores various modes of communication between domains.

With the growth of popular literary forms, particularly the periodical, during the eighteenth century, women began to assume an unprecedented place in print culture as readers and writers. Yet at the same time the very textual practices of that culture inscribed women within an increasingly restrictive and oppressive set of representations.

David Simpson challenges the established view of Wordsworth, arguing that it fails to recognize and explain the importance of the context of the public sphere and the social environment to the authentic experience of the imagination. Wordsworth's preoccupation with the metaphors of property and labour shows him to be acutely anxious about the value of his art in a world that he regarded as corrupted.

The comic grotesque is a powerful element in a great deal of Elizabethan literature, but one which has attracted scant critical attention. Neil Rhodes examines the nature of the grotesque in late sixteenth-century culture, and shows the part it played in the development of new styles of comic prose and drama in Elizabethan England.

In the 1960s, there occurred amongst Latin American writers a sudden explosion of literary activity known as the 'Boom'. It marked an increase in the production and availability of innovative and experimental novels. But the 'Boom' of the 1960s should not be taken as the only flowering of Latin American fiction, for such novels dubbed 'new novels' were being written in the 1940s and 1950s, as well as in the 1970s and 1980s. In this edited collection, first published in 1990, Philip Swanson charts the development of Latin American fiction throughout the twentieth century.