For producers and directors planning a production, several questions inevitably arise: Which play is appropriate for the contemporary audience? Should the text and setting be altered? Twelve leading contemporary directors answer these questions in interviews in this book and shed light on what Shakespeare means to them and to their audiences. Originally published in 1977.

Originally published in 1961, this book is a study of the ways actors since the time of Shakespeare have portrayed the character of Shylock. A pioneering work in the study of performance history as well as in the portrayal of Jews in English literature. Specifically it studies Charles Macklin, Edmund Kean, Edwin Booth, Henry Irving and more recent performers.

An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published.

This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous...

The great Shakespeare Jubilee festival was held at Stratford, under the direction of David Garrick. The occasion was the dedication of the new town hall and the presentation by Garrick of a statue of Shakespeare. Immense interest, enthusiasm, and controversy were aroused by the plans, which involved not only theatrical and rhetorical festivities but fireworks, processions and a horserace.

This book was originally published in 1964 to coincide with the 400^th anniversary of Shakespeare s birth. It describes the festival, which touched heights of success and depths of...