There is something profligate in the range and quality of Morgan's work as a translator. He does the labour of ten writers, and with blithe sprezzatura, partly at least because his own work nourishes itself from the poetry of other lands and ages. It is part of the necessary mechanism that Morgan, as a Scot, employs to define his place as a European, to escape the tonal and cultural limitations which England can imply.
"Collected Translations" includes six decades of work. Readers will find here Morgan's celebrated Mayakovsky done into Scots, his Voznesensky,
Pasternak and Vinokurov....

First selection of Andrew Young's best-known short poems and the long mystical poem Into Hades. The volume is illustrated by Joan Hassalal's powerful wood-engravings.

This collection oflyric epiphaniesreveals the focus and refocus of sequences, the wily relocation of words in concrete poems, and the weird rhythms of sound poems. The poet'stransforming imagination is democratic, generous, and inclusive. Even the sonnet form becomes a new experiment for a poet of questing and anarchic vision, unwilling to rest on rules. This volume includes "Poems of Thirty Years," "Themes on a Variation," and some 50 uncollected poems from 1939 to 1982."

Roger Garfitt has published sparingly but always to good effect. Selected Poems which includes important prose as well reveals the individual character of each poem and sequence, written only when the internal pressure demands and the slow pace of craft allows.
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This is a collection of work from the 1960s to the 1990s, from a journey through worlds exotic, domestic, surreal and psychic. The poetry is above all a poetry of colour and celebration, of strangeness blossoming inside familiarity, nurtured with patterning of language and form.

Is Modernism a few ground-breaking works by a handful of writers-Pound, Eliot, Joyce, Wyndham Lewis? Other writers loomed large at the time; their work points in untaken directions. Andrew Crozier assembles the first definitive text of the poems and important fiction of John Rodker, whose work was set in the balance with Eliot's and Joyce's by Pound and Lewis and was not found wanting.
Rodker's East End Jewish background-the world of Resenberg, Mark Gertler and his friend David Bomberg (who designed the cover of his first book-and his fascination with radical theatre at the time, define...

Aleksandr Blok (1880-1921) lived thought his country's savage wars and radical traumas, trying to welcome the new order. But there was no space in it for his kind of imagination. His poem The Twelve has claims to being the first great poem of the Russian Revolution. It remains enigmatic, the language elevated, the tone celebratory, even mystical. Mayakovsky, bringing Revolution into the very language and form of his poetry, wrote against Blok and the old forms, answering The Twelve with 150,000,000. Trotsky wrote Certainly Blok is not one of us, but he came towards us. And that is what broke...

This work draws on John Ash's four collections and is virtually a Collected Poems. Among contemporary British poets he is known for his wit, formal ambition and his Byzantine range.

This text gathers together all Robert Pinsky's poetry, including 21 new poems. The verse essay An Explanation of America (Carcarnet, 1980) remains at the heart of this work. The book also includes Ginza Samba, a history of the saxophone, and Impossible to Tell, a jazz-like poem that combines elegy with the Japanese custom of linking-poems and the American tradition of ethnic jokes. Sadness and Happiness (1975), History of My Heart (1984) and The Want Bone (1990).

P.J.Kavanagh's poems are filled with praise, with the minute observations that transform a mood, or the dazzling recollection that can change the heart. 'If description is revelation, ' wrote Derek Mahon in the Irish Times, 'his revelatory gift is prodigious. Now is the time to read P.J.Kavanagh.'
The contents of seven collections are included in this comprehensive volume, which traces the poet through three and a half decades and ends with his remarkable human elegy and celebration of a beloved landscape, '"Severn Aisling"', described by Frank Kermode as 'quite magnificent.'"