"Translations from the Flesh, "Elton Glaser's seventh full-length collection of poetry, is driven by the powerful engines of love and desire. In poems long and brief, playful and intense, Glaser evokes what it feels like "to fall into / Love and its infinite mistakes." In a style that might be described as "flamboyant stoicism" (a phrase from Simon Callow, ) he explores our human urgencies and weaknesses, following wherever our appetites lead us, whether hormonal or spiritual, cravings that we struggle to understand. The voice that says "Apprentice me to mysteries of the flesh" speaks for...

Daisy Fried's third book of poetry is a book of unsettling, unsettled Americans. Fried finds her Americans everywhere, watching Henry Kissinger leave the Louvre, trapped on a Tiber bridge by a crowd of neo-fascist thugs, yearning outside a car detailing garage for a car lit underneath by neon lavender, riding the train with Princeton seniors who have been rejected by recession-bound Wall Street, feeding stray cats drunk at midnight, bitching at her mother in the labor room, shopping with wide-bodied hunters for deer-dismembering band saws in the world's largest supplier of seasonal...

In Jan Beatty's fourth collection, The Switching/Yard, she takes us through the ravaged landscape of the American West. In unflinching lines of burning lyric and relentless narrative, she forges the constructed body into movement. What is still stereotyped as the romantic journey--now becomes as scarred as the Rust Belt. What lives in our collective unconscious as the Golden West becomes almost surreal, as these poems snap that vision in half with extended description of ghost explorers.
We see the open truck cab, the farm workers on the corner waiting for pick-up; we see the...

In his third poetry collection, Primer, Aaron Smith grapples with the ugly realities of the private self, in which desire feels more like a trap than fulfillment. What is the face we prepare in our public lives to distract others from our private grief?

Smith's poetry explores that inexplicable tension between what we say and how we actually feel, exposing the complications of intimacy and the limitations of language to bridge those distances between friends, family members, and lovers. What we deny, in the end, may be just what we actually survive.

Mortality in Smith's work...

Winner of the 2015 Agnes Lynch Starrett Poetry Prize
Miriam Bird Greenberg s stunning first collection, which roves across a lush, haunting rural America both real and imagined, observed from railyards and roadsides, evokes the world of myth ( I d spent my childhood / in a house made of bees; on hot days honey // dripped through cracks in the ceiling, she writes). Yet these capacious, exquisitely tensioned poems are rooted in Greenberg s experiences hitchhiking and hopping freight trains across North America, or draw from her informal interviews with contemporary nomads, hobos, and...

Bertrand Russell finds himself in purgatory, tumbling through literal representations of the worlds of ideas he examined in his classic text, A History of Western Philosophy, gulping much-needed air, for example, from Empedocles bucket. Mistaking his erection for a planted flag, he declares the place Platonopolis, attempts to calculate his Pythagorean number, kills God (though he later sees evidence of His resurrection), and, Rousseau-like, turns away from reason and civilization, favoring the noble savage, only to march back into the concrete jungle as one of Nietzsche s savage...

The poems in Showtime at the Ministry of Lost Causes are survival songs, the tunes you whistle while walking through the Valley of Shadows, to keep your fears at bay and your spirit awake. The shadows here are many cancer, poverty, a lost love, famine, suicide, war, an ever-encroaching existential angst. But so are the saving graces a drag queen waitress whose painted-on eyebrows arched like a bridge / toward starlight, strawberries / grown fat around dimpled gold seeds, Pink Floyd s On the Turning Away sent through my car / radio like the ghost voice of a beloved long dead, black...

Winner of the 2015 Donald Hall Prize for Poetry
Hour of the Ox received the 2015 AWP Donald Hall Prize for Poetry, selected by Crystal Ann Williams, who called it "a timeless collection written by a poet of exceptional talent and grace, a voice as tough as it is tender." Cancio-Bello examines the multiplicity of distance, wanderlust, and grief at the intersection between filial and cultural responsibility. Desires are sloughed off, replaced by new ones, re-cultivated as mythos. These poems offer a complex and necessary new perspective on the elegiac immigrant song.

Star Journal is a selection of poems from Christopher Buckley's twenty previous collections, from 1980-2014.

Past praise from Philip Levine:
"The poems are modest, straight forward, intensely lyrical and totally accessible. . . . This is a humble poetry of great truths and profound emotions that never overstates its concerns for the events both in and above the world. It rewards countless readings and never betrays itself."
--Ploughshares

Shelton says of his work: "I consider myself a regionalist and a surrealist. I have lived in the desert for ten years and hope that my work reflects that fact." In the forty-seven poems in this collection the poet moves backward and forward through time but always in the same landscape, the desert-mountains of southern Arizona, which foster his surrealistic view of his interior conflict. He is followed by peculiarly insistent voices from the past.