This book focuses on Edmund Husserl’s philosophical collaboration with Eugen Fink which took place in the early 1930s, and shows how their disagreement over the nature, origin, and aim of phenomenology led to a crucial divergence on the issue of who was engaging in phenomenology, and with what motivation.  It provides a philosophical investigation of a key moment in the development of Husserl’s late phenomenology.  The author claims that Husserl’s meta-phenomenological exploration of the theoretical and, importantly, practical underpinnings of the transcendental investigator leads him...

This text examines the many transformations in Husserl’s phenomenology that his discoveries of the nature of appearing lead to. It offers a comprehensive look at the Logical Investigations’ delimitation of the phenomenological field, and continues with Husserl’s account of our consciousness of time. This volume examines Husserl’s turn to transcendental idealism and the problems this raises for our recognition of other subjects. It details Husserl’s account of embodiment and takes largely from his manuscripts, both published and unpublished, dealing with his theory of instincts, his...

This text explores how self-consciousness and self-understanding differ phenomenologically from the experience and comprehension of others, and the extent to which such relations are constitutively interdependent.Jardine argues that Husserl’s analyses of selfhood and intersubjectivity are animated by the question of what's at stake in recognising an agent’s engagement as the situated response of a person, rather than simply as the comportment of an animal or living body. Drawing centrally from the freshly excavatedIdeas IIdrafts and manuscripts, the author develops Husserl’s often...

This volume offers a thorough description of anxiety from a phenomenological perspective. Building on Bakhtin’s insights, the author develops the method of “phenomenological polyphony,” which can do justice to the essential ambiguity of anxiety. In this polyphony, the voices of Kierkegaard, Husserl, Freud, Blumenberg, Heidegger, Sartre, Adorno, Derrida and Levinas are particularly recognizable. The book explores new perspectives on the complex relation between anxiety, fear, and trauma with reference to different disciplines, from art history to cultural anthropology,...