One of the earliest surviving examples of 'art history', Pliny the Elder's 'chapters on art' form part of his encyclopaedic Natural History, completed shortly before its author died during the eruption of Vesuvius in AD 79. This important new work argues that the Natural History offers a sophisticated account of the world as empire, in which art as much as geography can be used to expound a Roman imperial agenda. Reuniting the 'chapters on art' with the rest of the Natural History, Sorcha Carey considers how the medium of the 'encyclopaedia' affects Pliny's presentation of art, and reveals...

Statues were everywhere in the Roman world. They served as objects of cult, honors to emperors and noblemen, and memorials to the dead. Combining close attention to individual Roman texts and images with an unprecedented broad perspective on this remarkable phenomenon, Statues in Roman Society explains the impact that all kinds of statuary had on the ancient population.

This important new study looks at the intersection of Greek and Egyptian art forms in the funerary sphere of Roman Egypt. A discussion of artistic change, cultural identity, and religious belief foregrounds the detailed analysis of more than 150 objects and tombs, many of which are presented here for the first time. In addition to the information it provides about individual works of art, supported by catalogue entries, the study explores fundamental questions such as how artists combine the iconographies and representational forms of different visual traditions, and why two distinct visual...

The enduring importance of Greek athletic training and competition during the period of the Roman Empire has been a neglected subject in past scholarship on the ancient world. This book examines the impact that Greek athletics had on the Roman world, approaching it through the plentiful surviving visual evidence, viewed against textual and epigraphic sources. It shows that the traditional picture of Roman hostility has been much exaggerated. Instead Greek athletics came to exercise a profound influence upon Roman spectacle and bathing culture. In the Greek east of the empire too, athletics...

In this volume, Milette Gaifman explores a phenomenon known as aniconism -- the absence of figural images of gods in Greek practiced religion and the adoption of aniconic monuments, namely objects such as pillars and poles, to designate the presence of the divine. Shifting our attention from the well-known territories of Greek anthropomorphism and naturalism, it casts new light on the realm of non-figural objects in Greek religious art.
Drawing upon a variety of material and textual evidence dating from the rise of the Greek polis in the eighth century BC to the rise of Christianity in...

This book is an archaeological and art-historical study of the images and monuments of Roman "client" kings in the Near East from the Taurus to Edom (modern South East Turkey, Syria, Lebanon, Israel, Palestine, and Jordan) in the important transitional period between the downfall of the Seleucid empire and Rome's establishment of provincial administration across the entire region. In this volume, Kropp treats royal portraits, tombs, palaces, coins, and temples as historical documents and aims at uncovering royal identities and ideological aspirations. In particular, he focuses on the six...

Tombs and burial customs are an exquisite source for social history, as their commemorative character inevitably expresses much of the contemporaneous ideology of a society. This book presents, for the first time, a holistic view of the funerary culture of Rome and its surroundings during the third century AD. While the third century is often largely ignored in social history, it was a transitional period, an era of major challenges -- political, economic, and social -- which inspired creativity and innovation, and paved the way for the new system of late antiquity.
Barbara Borg argues...

This study explores Roman luxury villa architecture and the Roman luxury villa lifestyle to shed light on the villas' design as a dynamic process related to cultural, social, and environmental factors. Roman villas expressed a novel architectural language which was developed by designers appropriating the existing stylistic and thematic vocabularies of Hellenistic and Roman architecture. Zarmakoupi seeks to describe and explain the ways in which this architecture accommodated the lifestyle of educated leisure and an appreciation of the Roman landscape, and how, in doing so, it became a...

Why say thank you with a portrait statue? This book combines two different and quite specialized fields, archaeology and epigraphy, to explore the phenomenon of portraits in ancient art within the historical and anthropological context of city-states honouring worthy individuals through erecting statues, and the development of families imitating this practice.
This transaction tells us a lot about the history of these cities and how ancient art worked as a construction of relations during the Hellenistic period (c. 350 BC- c. AD 1), which is marked by a political culture of civic...

Since their discovery in nineteenth-century Russia, Greco-Scythian artefacts have been interpreted as masterpieces by Greek craftsmen working according to the tastes of the Scythian nomads and creating realistic depictions of their barbarian patrons. Drawing on a broad array of evidence from archaeology, art history and epigraphy to contextualize Greco-Scythian metalwork in ancient society, this volume confronts the deep confusion between ancient representation and historical reality in contemporary engagements with classical culture. It argues that the strikingly life-like figure scenes of...