Aniconism in Greek Antiquity

ISBN-13: 9780199645787 / Angielski / Twarda / 2012 / 456 str.

Milette Gaifman

Opis

In this volume, Milette Gaifman explores a phenomenon known as aniconism -- the absence of figural images of gods in Greek practiced religion and the adoption of aniconic monuments, namely objects such as pillars and poles, to designate the presence of the divine. Shifting our attention from the well-known territories of Greek anthropomorphism and naturalism, it casts new light on the realm of non-figural objects in Greek religious art.
Drawing upon a variety of material and textual evidence dating from the rise of the Greek polis in the eighth century BC to the rise of Christianity in the first centuries AD, this book shows that aniconism was more significant than has often been assumed. Coexisting with the fully figural forms for representing the divine throughout Greek antiquity, aniconic monuments marked an undefined yet fixedly located divine presence. Cults centered on rocks were encountered at crossroads and on the edges of the Greek city. Despite aniconism's liminality, non-figural markers of divine presence became a subject of interest in their own right during a time when mimesis occupied the center of Greek visual culture. The ancient Greeks saw the worship of stones and poles without images as characteristic of the beginning of their own civilization. Similarly, in the Hellenistic and Roman periods, the existence of aniconism was seen as physical evidence for the continuity of ancient Greek traditions from time immemorial.

Recenzje

Milette Gaifman's book (originally a dissertation) invites us to revise our assumptions about Greek aniconism. Her meticulous study offers the first comprehensive survey of the phenomenon of aniconism in ancient Greece, and should prove of great interest not only to classicists and classical archaeologists but especially to any scholar concerned with religious art, representation of the divine, or ancient and modern theories on art and religion, because the notion of 'aniconism' has been so pervasive in scholarly fields not directly concerned with the ancient Greek world.

O autorze

Milette Gaifman teaches Greek art and archaeology in the departments of Classics and History of Art at Yale University. She was awarded the Jane Faggen Dissertation Prize from Princeton University's Department of Art and Archaeology and the Samuel and Ronnie Heyman Prize for Outstanding Scholarly Publication from Yale College.