This book is a study of the religious beliefs of the ancient Greek historian Herodotus--his beliefs in divine retribution, in oracles and divination, in miracles or in fate. It seeks to show not only how such beliefs were central to his work, but also how they were compatible with lived experience.

This original study challenges the idea that sanctuaries in Hellenistic and Roman Asia Minor were fully institutionalized within the poleis that hosted them. Examining the forms of interaction between rulers, cities, and sanctuaries, the book proposes a triangular relationship in which the rulers often acted as mediators between differing interests of city and cult.

By examining linguistic variation in Aristophanic comedy, Andreas Willi opens up a new perspective on intra-dialectal diversity in Classical Attic Greek. A representative range of registers, technical languages, sociolects, and (comic) idiolects is described and analyzed. Stylistic and statistical observations are combined and supplemented by typological comparisons with material drawn from sociolinguistic research on modern languages. The resulting portrayal of the Attic dialect deepens our understanding of various socio-cultural phenomena reflected in Aristophanes' work.

When we say "epigram," we mean "Martial"--whether we know it or not. After Martial, a Roman poet of the first century AD, epigram would always mean satirical epigram: a short, funny poem with a sting in its tail. But Martial was an imitator. He copied and adapted the real innovators: the Greek poets who were already turning epigram into antiquity's sharpest--and shortest--form of satirical humor. This book finally gives them their due, uncovering a forgotten world of wicked puns and violent slapstick.

Cicero's Topica is one of the canonical texts on ancient rhetorical theory. This is the first full-scale commentary on this work, and the first critical edition of the work that is informed by a full analysis of its transmission.

Lucretius' account of the origin of life, the origin of species, and human prehistory (first century BC) is the longest and most detailed account extant from the ancient world. It is a mechanistic theory that does away with the need for any divine design, and has been seen as a forerunner of Darwin's theory of evolution. This commentary seeks to locate Lucretius in both the ancient and modern contexts. The recent revival of creationism makes this study particularly relevant to contemporary debate, and indeed, many of the central questions posed by creationists are those Lucretius attempts to...

A. J. Littlewood approaches Seneca's tragedies as Neronian literature rather than as reworkings of Attic drama, and emphasizes their place in the Roman world and in the Latin literary corpus. The Greek tragic myths are for Seneca mediated by non-dramatic Augustan literature. In literary terms Phaedra's desire, Hippolytus' innocence, and Hercules' ambivalent heroism look back through allusion to Roman elegy, pastoral, and epic respectively. Ethically, the artificiality of Senecan tragedy, the consciousness that its own dramatic worlds, events, and people are literary constructs, responds to...

This book analyzes the narrative technique of Thucydides, the historian of the war between Athens and Sparta in the fifth century BC. It relates his shifting uses of various techniques to his explanatory aims, and shows how he narrates the progression of one war and at the same time exposes various truths about the human condition.

This new edition deals with Book 5 of Statius' Silvae, which has often been neglected in thematic treatments of the poet's work. The book is notable for its concern with Statius himself--one poem is a lament for his father, who was himself a poet and a teacher. As well as discussing issues of linguistic usage and textual problems (which are numerous), the commentary examines such aspects of literary interpretation as the use of allusion and the role of genre, and also includes a conspectus of the historical and cultural background. This is an invaluable introduction to the work of a learned,...

The present edition of the first book of the Epistulae ex Ponto gives a revised text with a new translation, an extended introduction, and the first full-scale commentary of this work in English. The commentary pays particular attention to stylistic questions and examines how the Epistulae ex Ponto differs from the poet's remaining oeuvre. It demonstrates that Ovid generally adopts a more colloquial and prosaic style (as suits the epistolary form) and that he carefully adjusts the stylistic register to the respective addressees of the letters.