When we say "epigram," we mean "Martial"--whether we know it or not. After Martial, a Roman poet of the first century AD, epigram would always mean satirical epigram: a short, funny poem with a sting in its tail. But Martial was an imitator. He copied and adapted the real innovators: the Greek poets who were already turning epigram into antiquity's sharpest--and shortest--form of satirical humor. This book finally gives them their due, uncovering a forgotten world of wicked puns and violent slapstick.

Greek Epigram in Reception is a chronological survey of the reception history of the Greek Anthology, a Byzantine collection of ancient Greek short poems known as epigrams. Tracing the strange evolution of the Greek Anthology from the early nineteenth century to the years after the first World War, the volume analyses the complex webs of rhetoric that are spun as writers and translators bring their different agendas to bear on the Anthology's text, pruning it to meet their needs. As so little was known about its poets, and because it stood for the "Anthology" of the Greeks and their culture,...

"If you're one of those terribly serious readers, now is a good time to leave."
The poet we call Martial, Marcus Valerius Martialis, lived by his wits in first-century Rome. Pounding the mean streets of the Empire's capital, he takes apart the pretensions, addictions, and cruelties of its inhabitants with perfect comic timing and killer punchlines. Social climbers and sex-offenders, rogue traders and two-faced preachers - all are subject to his forensic annihilations and often foul-mouthed verses. Packed with incident and detail, Martial's epigrams bring Rome vividly to...