Established, commissioned, and edited by the Department of German at the University of Edinburgh, Edinburgh German Yearbook encourages and disseminates lively and open discussion of themes pertinent to German Studies. No other yearbook covers the entire field while addressing a focused theme in each issue. Volume 4 focuses on disability in German literature, film, and theater. Disability Studies is part of the broader discussion of difference and "otherness," of the politics of identity, human rights, ethics, and discrimination. It retrieves disabled figures from literature, film, and theater...
Established, commissioned, and edited by the Department of German at the University of Edinburgh, Edinburgh German Yearbook encourages and disseminate...
The avant-garde writer and director Bertolt Brecht left the West for good in 1949, returning to East Berlin and founding the Berliner Ensemble. While he quickly became identified internationally as the cultural figurehead of the young socialist state, his relationship with the authorities was always complex, and he was increasingly marginalized by restrictive and authoritarian structures of power. It was only after his death that the regime sought to elevate him as a socialist classic - a shift that entailed the selective appropriation of his legacy and the development of authorized modes of...
The avant-garde writer and director Bertolt Brecht left the West for good in 1949, returning to East Berlin and founding the Berliner Ensemble. While ...
Established, commissioned, and edited by the Department of German at the University of Edinburgh, the Edinburgh German Yearbook is the only peer-reviewed German Studies publication that each year invites scholarly contributions on a single topic of current challenge to the field. Focusing on -Sadness and Melancholy in German-language Literature and Culture, - volume 6 investigates the often subversive function and meaning of sadness and melancholy in German-language literature and culture from the seventeenth century to the present where, arguably, it has fallen from the heights of melancholy...
Established, commissioned, and edited by the Department of German at the University of Edinburgh, the Edinburgh German Yearbook is the only peer-revie...
There is seemingly no escaping the association of the language of Goethe with the language of Hitler: the two leaden cliches seem to be inseparable, suggesting a Sonderweg between enlightened sophistication and subtle beauty on the one hand and linguistic barbarism on the other. Victor Klemperer suggested that the Lingua Tertii Imperii was a perversion of German that needed to be purged from the language, but does the notion of "Nazi language" as an identifiably separate entity really hold water, or does it only reflect a desire to construct a clear demarcation line between "Germans" and...
There is seemingly no escaping the association of the language of Goethe with the language of Hitler: the two leaden cliches seem to be inseparable, s...
In recent years, the discourse of memory - and of German memory culture in particular - has become increasingly concerned with questions of the archive. An archive can refer to a physical place, the material found there, or the system that orders this material; in its broadest sense, it might refer to something public (records housed in a municipal building), or something private (photographs in a family album). The material and documentary qualities of the archive confer on it an authenticating function attributed only cautiously to memory, but theories of the archive have questioned the...
In recent years, the discourse of memory - and of German memory culture in particular - has become increasingly concerned with questions of the archiv...
