This book is an international collection of ecocritical essays that examine sustainability in relation to Romantic-era Britain. It examines Romantic works while interrogating issues of race, gender, religion, and identity, beginning with inspiration and creativity and ending with considerations about extinction and apocalypse.

This collection examines the relationship between humanitarian and environmental issues and how they portrayed in the media. The essays examine this question from a variety of academic viewpoints and argue that although the interests of planet and people are often seen in opposition, they are, in reality, symbiotic.

The volume offers a survey of the contribution of German literature and culture to the evolution of ecological thought. As the field of ecocritical theory and practice is rapidly expanding towards transnational and global dimensions, it seems nevertheless necessary to consider the distinct manifestations of ecological thought in various cultures. In this sense, the volume demonstrates in twenty-six essays from different disciplines how German literature, philosophy, art, and science have contributed in unique ways to the emergence of ecological thought on national and transnational scale. The...

Romantic Ecocriticism: Origins and Legacies is unique due to its rare assemblage of essays, which has not appeared within an edited collection before. Romantic Ecocriticism is distinct because the essays in the collection develop transnational and transhistorical approaches to the proto-ecological early environmental aspects in British and American Romanticism. First, the edition's transnational approach is evident through transatlantic connections such as, but are not limited to, comparisons among the following writers: William Wordsworth, William Howitt, and Henry D. Thoreau; John Clare and...

The book offers twelve cases of ethics relating to ecology and culture. The twelve cases presented in the twelve essays, are written by eminent scholars from India, USA, Canada and Egypt. Employing various ecocritical frameworks, the writers have tried to understand/analyse literary, cinematic and other cultural texts and contexts. The volume argues that the principles of ethics are as dynamic as culture and nature. Any ecological perspectives/issues/conditions cannot be separated from their cultural contexts and thus need a culture-specific scrutiny to understand the ethics of ecoculture.

The book studies the cultural texts--fiction, protest effigies, photographs, films, reportage, eyewitness accounts, campaign posters and reports--produced around the world's worst industrial disaster: the Bhopal tragedy of 1984. It makes a case for an ecological Gothic, wherein the city, its landscape and its people are Gothicized. After tracing the history of the disaster as a history of negligence, the book proceeds in later chapters to study the coverage of the events themselves by eyewitnesses and survivors, and the remnants, in various forms, of the disaster - the haunting - within human...

The premise of Fallen Animals is that some how and in some way The Fall of Adam and Eve as related in the Bible has affected all living beings from the largest to the smallest, from the oldest to the youngest, regardless of gender and geography. The movement from the blissful arena of the Garden of Eden to the uncertain reality of exile altered in an overt or nuanced fashion the attitudes, perceptions, and consciousness of animals and humanity alike. Interpretations of these reformulations as well as the original story of the Paradise Garden have been told and retold for millennia in a...

This book opens a conversation about the mediated relationship between culture and ecology. The terms ecology and culture are past separation. We are far removed from their prior historical binaric connection, and they coincide through a supplementary role to each other. Ecology and culture are unified.

This book explores the balancing function that horses play when they become central characters in literature and film. Through close readings of texts from the Middle Ages until the present, covering works from Eastern and Western cultures, the book examines the deep symbolic meaning, cultural significance, and projective power of these animals.

This book offers a timely exploration into the rapidly growing field of ecocriticism and gives prominence to the writers, creators, theorists, traditions, concerns, and landscapes of Southeast Asia. The contributors emphasize the transnational flows between Southeast Asian countries and Australia, England, Taiwan (Formosa), and the United States.