This is a set of interviews with a broad range of contemporary philosophers working in the fields of moral and political philosophy. The contributors include: Seyla Benhabib, Ronald Dworkin, David Gauthier, Christine M. Korsgaard, Martha C. Nussbaum and Michael J. Sandel.

In the wake of the Dreyfus affair and the Shoah, many French intellectuals have maintained rich and complex relationships with Judaism, beyond as well as within the religious dimension. Whether they approach it via history, philosophy, biblical studies or sociology, or following a personal itinerary, many contemporary intellectuals are deeply involved in Jewish culture. Interviewed at length by Elisabeth Weber, this volume presents the meditations of seven well-known French thinkers on the special relations of their own intellectual pursuit to Judaism. As memory or as the place of...

This book explores in detail the relation between ontology and ethics in the early work of Ludwig Wittgenstein, notably the Tractatus Logico-Philosophicus and, to a lesser extent, the Notebooks 1914-1916. Self-contained and requiring no prior knowledge of Wittgenstein's thought, it is the first book-length argument that his views on ethics decisively shaped his ontological and semantic thought. The book's main thesis is twofold. It argues that the ontological theory of the Tractatus is fundamentally dependent on its logical and linguistic doctrines: the tractarian world...

The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'etre of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi...

This book proposes that aesthetics begin not with concepts of being or semblance, but with a concept of appearing. Appearing bespeaks of the reality that all aesthetic objects share, however different they may otherwise be. For Martin Seel, appearing plays its part everywhere in the aesthetic realm, in all aesthetic activity. In his book, Seel examines the existential and cultural meaning of aesthetic experience. In doing so, he brings aesthetics and philosophy of art together again, which in continental as well as analytical thinking have been more and more separated in...

Taking on the Tradition focuses on how the work of Jacques Derrida has helped us rethink and rework the themes of tradition, legacy, and inheritance in the Western philosophical tradition. It concentrates not only on such themes in the work of Derrida but also on his own gestures with regard to these themes--that is, on the performativity of Derrida's texts. The book thus uses Derrida's understanding of speech act theory to reread his own work. The book consists in a series of close readings of Derrida's texts to demonstrate that the claims he makes in his work cannot be fully...

The Event and its Terrors undertakes a critical reimagining of one of the major events of Irish history-the Great Famine of the 1840s-and of its subsequent legacies.

This book suggests that modern cultural and critical institutions have persistently associated questions of aesthetics and politics with literature, theory, technics, and Romanticism. Its first section examines aesthetic nationalism and the figure of the body, focusing on writings by Benedict Anderson, J. G. Fichte, and Matthew Arnold, and arguing that uneasy acts of aestheticization (of media technology) and abjection (of the maternal body) undergird the production of the national body as "imagined community." Subsequent chapters on Paul de Man, Friedrich Schlegel, and Percy Shelley explore...

This book brings a new perspective--mainly out of German intellectual discussions rooted in Hegel--to bear on the problems of equality as discussed in Anglo-American conceptions of liberalism. Menke argues that the idea of equality is at the heart of political modernity. At the same time, political modernity is characterized by an attitude of critical reflection on the notion of equality in view of its consequences for the lives of individuals. This book explores the sources and legitimacy as well as the limitations and problems of this attitude toward equality in the work of such thinkers as...

This work offers a sustained examination of Dutch 17th-century genre painting from a theoretically informed feminist perspective. Other recent works that deal with images of women in this field maintain the paradoxical combination of seeing the images as positivist reflections of life as it was and as emblems of virtue and vice. These reductionist practices deprive the works of their place in visual culture and complex nature, important frameworks that the book attempts to restore to them. Salomon seeks to expand the possibilities for understanding both familiar and unfamiliar paintings from...