Analyzing contemporary Chinese literature, film, and television, Shen shows the significance of nationalism for the mass imagination in post-socialist China. Chapters move from the intellectual idealism of the 1980s, through the post-Tiananmen transition, to the national cinema of the 1990s, and finally to the Internet literature of today.

Through both cultural and literary analysis, this book examines gender in relation to late Qing and modern Chinese intellectuals, including Mu Shiying, Bai Wei, and Lu Xun. Tackling important, previously neglected questions, Zhu ultimately shows the resilience and malleability of Chinese modernity through its progressive views on femininity.

The first of its kind in English to explore the musical culture of China's Cultural Revolution, Listening to China's Cultural Revolution discusses the history, politics, and aesthetics of a full range of music and performances during this rich yet complicated time in Chinese history. Together, the chapters, grouped under the headings "Temporality, ' 'Geography, ' and 'Lineage and Legacies, ' demonstrate how the era's soundscape was both political and personal, experienced by ordinary people, artists, as well as political leaders, and how the sensory was translated into political actions or...

Within a fast-changing political and cultural environment, theatre practitioners from mainland China, Hong Kong, and Taiwan attest to equally rapid transformations in the theatrical world over the past two decades. The first collection of its kind in English, Staging China explores a diverse range of productions that has encapsulated these socio-cultural shifts. Topics discussed include: innovative approaches to classical plays, the emergence of new propaganda theatres, responses to the challenges posed by commercialism, and the contribution of independent theatres to the cultural landscape....

This detailed, chronological study investigates the rise of the European fascination with the Chinese language up to 1615.

Analyzing contemporary Chinese literature, film, and television, Shen shows the significance of nationalism for the mass imagination in post-socialist China. Chapters move from the intellectual idealism of the 1980s, through the post-Tiananmen transition, to the national cinema of the 1990s, and finally to the Internet literature of today.

Examining the production of 'people's literature' in China, this study provides a new interpretive framework with which to understand socialist literature and presents a sympathetic understanding of culture from a period in China's history in which people's lives were greatly and obviously affected by political events.

Feminism, Women's Agency, and Communication in Early Twentieth-Century China focuses on a sensational elopement in the Yangzi Delta in the late 1920s to explore how middle- and lower-class members of society gained access to and appropriated otherwise alien and abstract enlightenment theories and idioms about love, marriage, and family.

Ideology and Utopia in China's New Wave Cinema investigates the ways in which New Wave filmmakers represent China in this age of neoliberal reform. Through a close reading of the narrative strategy of key films in New Wave Cinema, Xiaoping Wang studies the movement's impact on film, literature, culture and politics.