The voice of these poems is clear and strong, rising as it does out of the earth to "the celebrations of the reeds," living simply and daily among cat-tail, wren, peacock, children, women, "praising the coals of heaven" before settling back like the old men of boyhood "wifeless and half wild, / In stained coats, dying like rainbows / from the feet up." These are poems of the real triumphs we seldom understand, the visions of dawn and dusk over the fields and cities where we live, poems that finally embrace even the emptiness "tasting its bitten face." The book also includes a group of superb...

Here are twenty-one poems yoked by thought and language to the filial bond and set in motion by the looming death of a cold and distant father. Whether physically absent or emotionally estranged, the father in these poems has always been a dominating, difficult presence in the lives of his family: the daughter run wild, the son who has disappointed, the wife he never did marry. Watching his father ebb away, the poet wonders at the man's ornery and cantankerous reality even in the face of death - and at his own newfound sense of power. But as well, he searches for a bond, an acknowledgment...

Pamela Painter] is a writer who seems to revel in setting herself new challenges, in trying to get inside a host of different characters who move through vastly different worlds. Even within a single story, she can slide effortlessly from one character's point of view to another's.... This is a virtuoso performance, graceful and brave and full of feeling. aAlicia Baker, The NewYork Times

The Mud Actor finds its most powerful images in the poems of childhood and in the moving poem, The Memory of Hiroshima . . . Cassells' ultimate testimony to the human spirit. The cumulative nature of the book is powerful, and allows us to agree with the poet at the end that 'Everything in life is resurrection'.