Isn't this what every lyric poem wishes to be, the poet asks as she explored autobiographical events, most from childhood and the cusp of adolescence, and then turns to the shadowy areas of regret and memory. The word as talisman is another of her concerns, and finally, in the section that most typifies the lilt of grace notes, Dove considers the embellishments below the melody of daily life.

In settings as various as a patio in Arizona, the bistros and boulevards of Paris, the sun-drenched pyramids of Mexico and directly from the Greek myth itself Rita Dove explores this relationship and the dilemma of letting go."

In these brilliant poems, Rita Dove treats us to a panoply of human endeavor, shot through with the electrifying jazz of her lyric elegance. From the opening sequence, "Cameos," to the civil rights struggle of the final sequence, she explores the intersection of individual fate and history.

An occasion to celebrate: a new collection by the Pulitzer Prize-winning former poet laureate; her first since On the Bus with Rosa Parks. With the grace of an Astaire, Rita Dove's magnificent poems pay homage to our kaleidoscopic cultural heritage; from the glorious shimmer of an operatic soprano to Bessie Smith's mournful wail; from paradise lost to angel food cake; from hotshots at the local shooting range to the Negro jazz band in World War I whose music conquered Europe before the Allied advance. Like the ballroom-dancing couple of the title poem, smiling and making the difficult seem...

A debut novel by the 1987 winner of the Pulitzer Prize for poetry. When a woman returns to her Midwestern hometown as an artist-in-residence to teach puppetry to schoolchildren, her homecoming also means dealing with memories of racism, rejected love--and truths about her family. Author readings.

A mid an "explosion in the interest of poetry nationwide" (The New York Times), The Best American Poetry 2000 delivers one of the finest volumes yet in this renowned series. Guest editor Rita Dove, a distinguished figure in the poetry world and the second African-American poet ever to win the Pulitzer Prize, brings all of her dynamism and well-honed acumen to bear on this project. Dove used a simple yet exacting method to make her selections: "The final criterion," she writes in her introduction, "was Emily Dickinson's famed description -- if I felt that the top of my head had been...

Featured in the film "The Great Debaters," Melvin B. Tolson was not only a debate coach but one of black America's most important modernist voices. This first complete collection of his poetic work, brilliantly annotated by Raymond Nelson, gives Tolson his proper place in American poetry.

Published to coincide with its British premiere at the Royal National Theatre, The Darker Face of the Earth is Rita Dove's first play. Set on a plantation in pre-Civil War South Carolina, it has been performed to great critical acclaim.

The son of a white woman and an "African Prince," George Polgreen Bridgetower (1780-1860) travels to Vienna to meet "bad-boy" genius Ludwig van Beethoven. The great composer's subsequent sonata is originally dedicated to the young mulatto, but George, exuberant with acclaim, offends Beethoven over a woman. From this crucial encounter evolves a grandiose yet melancholy poetic tale. A New Yorker's A Year's Reading; Booklist Editors Choice Award.

This non-fiction reference work collects the interviews and submissions of fiction and non-fiction writers who discuss the impact of libraries on their career development. Numerous transcripts, photos, biographies, library quotations, footnotes, a glossary, and an index present the information as a teaching tool for the reader. The contributors cross gender, race, political, philosophical, cultural, subject, and genre lines. Each had something significant to share about the importance of the library to the writer.