This book examines the problematic area of narrative structure under conditions of severe stress. Each of the four authors is shown to be concerned with the tension between narrative coherence as a desirable goal and an unfortunate check placed on the 'free' play of fantasy. This tension produces powerful disruptions of literary form in the lyric (Baudelaire, Mallarme), prose poetry (Baudelaire, Rimbaud) and the novel (Flaubert) which are examined here. A final chapter draws out some of the historical implications of these readings in a discussion of Baudelaire's and Flaubert's trials for...

This book is an intensive study of what was by far the most productive year in Baudelaire's literary career. It combines biographical investigation with detailed textual analysis in order to locate the sources of the extraordinary 'explosion' (Baudelaires' own word) of poetic creativity that he experienced during that year, and which resulted, amongst other things, in the writing of his greatest 'Paris poems'. Baudelaire in 1859 differs from 'synchronic' approaches in stressing the need for a reappraisal of his development as man and poet. To this end, Dr Burton devotes a large part of the...

In this highly original and provocative study, Bersani takes us away from the interpretative questions which the competing critics of Mallarme familiarly raise, and explores a fundamental paradox within his work as a whole. On the one hand Mallarme can be taken as a prime example of textual imperialism in modern literature: his hermetic poems seem to demand ever more interpretative ingenuity from his readers and to provide a foretaste of the supreme Book which he dreamed of - 'the Orphic explanation of the Earth'. On the other hand he mounted an extraordinary assault on literature's claims to...

Professor Greenberg's lucid study examines the themes of authority, power and sexuality in Corneille's major plays, drawing on the work of Foucault, and Freudian and feminist critics. He begins by considering the question of myth and of a 'pre-historical' cultural memory in Medee, and proceeds to a detailed analysis of each of the four best-known tragedies: Le Cid, Horace, Cinna, and Polyeucte. A concluding chapter discusses two middle-period plays and Surena, Corneille's last tragedy. Professor Greenberg argues that the formal symmetries of classical tragedy reflect a desire for control in...

This 1986 study of Manon Lescaut draws on various debates in the fields of psychoanalysis, feminism and literary criticism. It has two principal aims: to analyse this story of a young man's passion for a femme fatale as it is presented by the narrator; and to suggest ways in which feminist criticism can help explain how the text operates. The volume is in three parts. In Part I, Dr Segal offers a close reading of Manon Lescaut in which the narrator's relationship with language is the key issue. Part II considers four central themes which are present in the text's language and structure:...

The most recently acknowledged--and the most private--of the masters of modernity, Paul Valery is perhaps the most radical and wide-ranging. He navigates freely within the mental galaxies known to scientists, poets, literary theorists, musicians, philosophers, historians and social anthropologists, always concerned with exploring the potential and limits of the human mind. This volume of essays by internationally recognized scholars offers the first comprehensive account in English or French of Valery's work. It brings into focus the deeper coherence that animates what Valery called his...