The editor tracks critical responses to "The Last of the Mohicans" from the time of its publication in 1826 to the present day, while the essays that follow present contemporary reassessments of the novel from a variety of critical perspectives.

Describing the field of sociology as a comprehensive research tradition, this book analyzes the field's various sub-traditions, and demonstrates that many of these traditions not only intersect, but share conceptual components. In close analyses of its central theoretical elements, the author develops an integrative philosophy of the field. Classical traditions in sociological thought are honored and utilized while newer methodologies, such as process studies, ethnomethodology, and network analysis, are incorporated. The emphasis of the book is on the formalization and unification of...

This book provides an authoritative account of Hegel's social philosophy at a level that presupposes no specialized knowledge of the subject. Hegel's social theory is designed to reconcile the individual with the modern social world. Michael Hardimon explores the concept of reconciliation in detail and discusses Hegel's views on the relationship between individuality and social membership, and on the family, civil society, and the state.

David Womersley's book investigates Edward Gibbon's The Decline and Fall of the Roman Empire as both a work of literature and a work of history, examining its style and irony, tracing its classical and French sources, and highlighting the importance of its composition in three instalments over a period of twenty years. Dr Womersley discusses each of these instalments in detail, plotting the work's transformation from conception to completion, and relating this to the achievements and limitations of the philosophic historiography which Gibbon inherited from Montesquieu and Hume, but finally...

The author of Tristram Shandy made frequent use of literary fragments from other writers, as part of his own style. Laurence Sterne's quotations, plagiarisms and allusions were often employed in the service of the pleonasm, or 'performed pun'. Jonathan Lamb describes Sterne's operation of the pleonasm as his 'double principle'. He sees this style not as the key to some clever puzzle whose clues we go on solving in the hope of total disclosure of meaning (as some critics have claimed); rather the opposite, that it is a consoling reminder that neither we nor the text can ever be complete. Lamb...