This study sets out to investigate the theoretical and especially the interpretative bases of eighteenth-century literary editing. Extended chapters on Shakespearean and Miltonic commentary and editing demonstrate that the work of pioneering editors and commentators, such as Patrick Hume, Lewis Theobald, Zachary Pearce, and Edward Capell, was based on developed, sophisticated, and often clearly articulated theories and methods of textual understanding and explanation. Marcus Walsh relates these interpretative theories and methods to seventeenth- and eighteenth-century Anglican biblical...

This is the first full study of one of the most popular and extensive forms of eighteenth-century literature, the voyage narrative. It illustrates the wide variety of published and unpublished material in this field, from self-satisfied official accounts to the little-known narratives of victims of the press-gang. It includes a survey of writings about the Pacific - including Cook's voyages and Bligh and The Bounty; there is a major new study of William Dampier, studies of writings about the slave-trade, and accounts of seamen and passengers, including Fielding and Mary Wollstonecraft. This...

Recent research into a self-taught tradition of English rural poetry has radically changed our view of the role of poetry in the literary culture of the eighteenth century. Here John Goodridge compares poetic accounts of rural labor by James Thomson, Stephen Duck and Mary Collier, and makes a close analysis of John Dyer's The Fleece. Goodridge goes on to explore the purpose of rural poetry and how it relates to the real world, and reveals an illuminating link between rural poetry and agricultural and folkloric developments of the time.

Written as a collection of letters in which very different accounts of the action are unsupervised by sustained authorial comment, Richardson's novel Clarissa offers an extreme example of the capacity of narrative to give the reader final responsibility for resolving or construing meaning. It is paradoxical then that its author was a writer committed to avowedly didactic goals. Tom Keymer counters the tendency of recent critics to suggest that Clarissa's textual indeterminacy defeats these goals by arguing that Richardson pursues subtler and more generous means of educating his readers by...

Exploration of the meaning of 'history' and its relevance for the origins of the modern English novel.

An original study of the early eighteenth century's financial revolution in the literature of the period.

This study of sensibility in the eighteenth-century English novel discusses literary representations of suffering and responses to it in the social and scientific context of the period. The reader of novels shares with more scientific observers the activity of gazing on suffering, leading Ann Van Sant to explore the coincidence between the rhetoric of pathos and scientific presentation as they were applied to repentant prostitutes and children of the vagrant and criminal poor. The book goes on to explore the novel's location of psychological responses to suffering in physical forms. Van Sant...

Richard Braverman's study of literary and political plots looks at the ways in which the rhetoric of seventeenth- and eighteenth-century dynastic politics finds its formal expression in narrative evocations of the family romance. Its point of departure is the political conflict that led to the rupture between crown and parliament in the earlier seventeenth century, and the ensuing quest for a discourse that might bridge the division. Beginning with the restoration of the monarchy in 1660 and ending with the rise of oligarchy in the 1720s, it traverses a wide literary territory, from royalist...

Narratives of Enlightenment reappraises the work of five of the most important narrative historians of the eighteenth century--Voltaire, David Hume, William Robertson, Edward Gibbon, and the historian of the American Revolution, David Ramsay--in the context of political and national debates in France, Scotland, England and America. Where previous studies have emphasized the growth of nationalism in eighteenth-century literature, Karen O'Brien reveals the development of cosmopolitan ways of thinking beyond national cultural issues.

Edmond Malone (1741 1812) was the greatest early editor of Shakespeare's works, the first historian of early English drama, the biographer of Shakespeare, Dryden and Reynolds, and a relentless exposer of literary fraud and forgery. His dedication to discovering the facts of literary history through manuscripts and early editions laid the foundations for the scholar's code and the modern study of literature. Yet he was also a gregarious man, attracting many friends and enemies among his contemporaries. This first modern full-length biography of Edmond Malone illuminates in a unique way both...