Ulrich von Wilamowitz-Moellendorff (1848 1931) was one of the most prominent German philologists of his time and his work is still well regarded. This book, originally published in 1893, is a detailed analysis of the The Constitution of the Athenians, then usually (though not universally) regarded as a work of Aristotle. Wilamowitz accepts Aristotle's authorship of the famous treatise on the history of the constitution that restored democracy after the oligarchy of the Thirty (403 BCE). Volume 2 reconstructs Athenian constitutional history on the basis of the work. A number of essays...

This monograph on classical engraved gems, which also contains a catalogue of the collection then held by the Fitzwilliam Museum, was published in 1891. J. Henry Middleton (1846 1896) was at the time the Director of the Museum and Slade Professor of Fine Art in Cambridge. His intention was to provide an introductory volume for students of archaeology which both traced the history of the use of engraved gemstones as seals and signets from Babylonian to classical times, described the techniques used to create these miniature works of art, and gave catalogue definitions, enhanced by photographic...

An important and innovative study of Greek epigraphy published in 1887, setting standards of classification and interpretation.

This second volume, published in 1905, focuses on inscriptions, official and private, from Athens.

A nineteenth-century thorough, parallel text of Euripides' earliest surviving play; the story of death conquered by devotion and sacrifice.

This edition by Richard Porson (1759 1808) of Euripides' plays was published posthumously in 1820. It contains the Greek text of Euripides' four most popular plays: Hecuba, Orestes, The Phoenician Women and Medea, which had previously been published as individual titles. Each play is preceded by a list of manuscript witnesses and accompanied by a running Latin commentary, containing detailed text-critical, exegetical and philological notes. The volume is introduced by a Latin preface and supplement which expound Porson's theories on the metrical rules followed by Attic poets. Porson explains...

Die Geburt der Tragodie (1872) is one of the most important philosophical texts of the modern period. Nietzsche describes how Greek tragedy was born out of the encounter between the Dionysian and the Apollonian and represents a culture in which a balance between the two was achieved. The Dionysian plunged Greek culture into chaos and despair but also paved the way for the regenerative power of Apollonian clarity and rationality. It is this model that Nietzsche employs to understand both the decline of modern culture and the possible rebirth of this culture. In genuine tragic art, the...

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some...

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some...

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some...