This Companion contains fifteen chapters by leading international scholars, who together reflect diverse but complementary approaches to the study of Ezra Pound's poetry and prose. They consider the poetics, foreign influences, economics, politics and publication history of Pound's entire corpus, and also situate Pound's work in the context of Modernism, illustrating his influence on contemporaries such as T. S. Eliot and James Joyce. Taken together, the chapters offer a sustained examination of one of the most versatile, influential and certainly controversial poets of the modern period.

Presenting essays by a distinguished array of contributors, the Companion is a valuable resource for historical and contextual material, whether on early writings such as "A Week on the Concord and Merrimack Rivers," on the monumental Walden, or on Thoreau's assorted journals and later books. It also serves in some ways as a biographical guide, offering new insights into his turbulent publishing career, and his brief but extraordinarily original life.

This volume of essays offers fresh examinations of Wharton's fiction designed both to engage the interest of the student or general reader encountering Wharton for the first time, and to be valuable to advanced scholars looking for new insights into her creative achievement. Written by a mix of established commentators on Wharton and newer scholars in the field, the essays cover Wharton's most important novels as well as some of her shorter fiction. The Introduction supplies a valuable review of the history of Wharton criticism; a detailed chronology of her life and publications and a useful...

The Cambridge Companion to the Classic Russian Novel offers a thematic account of a tradition that produced some of the most influential novels of the Western world. In newly-commissioned essays by prominent scholars, the work of Pushkin, Dostoevsky, Tolstoy, Turgenev, Bulgakov, Nabokov, Pasternak, Solzhenitsyn and many others is described and discussed. There is a chronology and guide to further reading, and all quotations are in English. The volume will be invaluable for students, scholars and anyone interested in the Russian novel.

Theodor Fontane, Hermann Hesse, Thomas Mann, Franz Kafka, and Gunther Grass are among the writers examined in this comprehensive introduction to the development of the German novel in the late nineteenth and early twentieth centuries. Including a chronology and guide to further reading, the Companion conveys the vitality and complexity of the modern German novel, and the debates surrounding it.

This is a collection of thirteen original essays from a team of leading Williams scholars. This wide-ranging volume covers Williams' works, from the early apprenticeship years through to his last play before his death in 1983. In addition to essays on the major plays, the contributors also consider selected minor plays, short stories, poems, and biographical concerns. The Cambridge Companion to Tennessee Williams also features a bibliographic essay surveying the major critical statements on Williams.

This volume provides a unique and valuable insight into the novel in French over the past two centuries. Essays by acknowledged experts range widely over issues and texts, referring to earlier periods and other genres and literatures where relevant. Theoretical discussion is combined with close reading, and there is a challenging reassessment of major figures and traditional views. All quotations are translated and there is a chronology and guide to further reading, making this an essential working manual for all those interested in modern French fiction.

This volume of specially commissioned essays contains studies of O'Neill's life, his intellectual and creative forebears, and his relation to the theatrical world of his creative period, 1916-1942. Also included are descriptions of the O'Neill canon and its production history on stage and screen, and a series of essays on "special topics" related to the playwright. One of the essays speaks for those who are critical of O'Neill's work, and the volume concludes with an essay on O'Neill criticism containing a select bibliography of full-length studies of the playwright's work.

This is the first comprehensive account of English Renaissance literature in the context of the culture that shaped it: the courts of Henry VIII and Elizabeth I, the tumult of Catholic and Protestant alliances during the Reformation, the age of printing and of New World discovery. The Companion covers developments in poetry, prose, religious writing, drama, satire and humanism in fourteen newly-commissioned essays, written by experts for student readers. A detailed chronology of major literary achievements concludes with a list of authors and their dates.

This Companion addresses the work of women playwrights in Britain throughout the twentieth century. Chapters explore the historical and theatrical contexts in which women have written for the theater and examine the work of individual playwrights such as Caryl Churchill, Pam Gems, and Timberlake Wertenbaker. The volume brings together a transatlantic team of feminist theater scholars and practitioners. A chronological section on playwriting from the 1920s to the 1970s is followed by chapters that raise issues of nationality and identity. Later sections question accepted notions of the canon...