Henry James rebelled intuitively against the tyranny and banality of plots. Believing a life to have many potential paths and a self to hold many destinies, he hung the evocative shadow of "what might have been" over much of what he wrote. Yet James also realized that no life can be lived--and no story written--except by submission to some outcome. The limiting conventions of society and literature are, he found, almost inescapable. In a major, comprehensive new study of James's work, Millicent Bell explores this oscillation between hope and fatalism, indeterminacy and form, and...

Already the subject of articles in the International Herald Tribune and the London Times, Beloved Boy is a remarkable collection of letters tracing Henry James's fascination with and enduring devotion to a young Norwegian-American artist. James was already fifty-six when, visiting Rome in 1899, he was introduced to the twenty-seven--year-old Hendrik Andersen. In an uncanny instance of life imitating art, Andersen bore an unmistakable resemblance to the title character of James's 1875 novel Roderick Hudson--a figure who, like Andersen, was a young sculptor venturing...