Filling in gaps in a largely neglected cultural period, this study proposes that Mughal and Hindu visuality interrupted and undermined British cultural and administrative hegemony in India. Close examination of the lives of various objects reveals that, as they moved between temples, palaces, the bazaar, museums, private collections, and traveling exhibitions, these objects demonstrated their slippery agency and their ability to slide out of colonial definitions. Even during this most authoritarian epoch of empire, Natasha Eaton shows, there were spaces, places, and objects that raise...