Transculturation in British Art, 1770-1930

ISBN-13: 9781138268401 / Angielski / Miękka / 2017 / 314 str.

Julie F. Codell

Opis

Examining painting, photography, illustration, sculpture and architecture from 1770 to 1930, authors explore art that shaped, negotiated, and represented transculturation in the British Empire and in countries under British colonial influences (Congo, Japan, and Turkey). Authors analyze works' cross-cultural meanings in two transcultural dimensions: changing interpretations of single works over time for colonial and postcolonial spectators, and across space in works' replications or multiples in both metropole and colonial spaces.

Spis treści

Contents: The art of transculturation, Julie F. Codell; Part I Art's Changing Publics and Politics: Transcultural Receptions: Baron of Bengal: Robert Clive and the birth of an imperial image, Romita Ray; Miniature paintings as transcultural objects? The John Norton and Peter Jones portraits, Kristina Huneault; The politics of transculturation: the life and art of John Frederick Lewis (1804-1876), Emily M. Weeks; The many shades of Shakespeare: representations of Othello and Desdemona in Victorian visual culture, Nancy Rose Marshall; 'Bronzed and muscular bodies': Jinrikishas, tattooed bodies and Yokohama tourist photography, Luke Gartlan; The camera and the contact zone: re-envisioning the representation of aboriginal women in the Canadian North, Susan Close; Te kai-hautu o te waka/ director of the canoe: the statue of Sir George Grey in Auckland, Mark Stocker; Ambivalent geographies: the British concession in Taijin, China, c.1860-1946, Dana Arnold. Part II When Art Moves and Multiplies: Transcultural Geographies: Divided objects of empires: Ottoman imperial portraiture and transcultural aesthetics, Mary Roberts; 'A voice from the Congo': Herbert Ward's sculptures in Europe and America, Kirsty Breedon; War and peace: Harry Bates's Lord Roberts memorial in London, Calcutta, and Glasgow, Jason Edwards; 'Wonderful pieces of stage management': reviewing masculine fashioning, race, and imperialism in John Singer Sargent's British portraits, c.1897-1914, Andrew Stephenson; Colonial nationalism and closer union: Hugh Lane in South Africa, Morna O'Neill; Bibliography; Index.

O autorze

Julie F. Codell is Professor of Art History at Arizona State University and Faculty Affiliate in Film and Media Studies, English, Gender and Women's Studies, and the Center for Asian Research.