By the end of the twentieth century, a new generation of leaders had begun to assume positions of influence within established organizations. They quickly launched a slew of new initiatives directed at their age peers. Born during the last quarter of the twentieth century, these leaders came of age in a very different America and a different Jewish world than earlier generations. Not surprisingly, their worldview and understanding of Jewish issues set them apart from their elders, as does their approach to organizing. Based upon extensive interviews and survey research, as well as an...
By the end of the twentieth century, a new generation of leaders had begun to assume positions of influence within established organizations. They qui...
In 1796, the Jews of St. Thomas founded the first Jewish congregation on this Caribbean island. By 1803, new arrivals from England, France, and the neighboring islands of St. Eustatius and Curacao increased the original number from a handful of congregants to twenty-two families. Their small synagogue was destroyed by fires and rebuilt several times. The congregation numbered sixty-four families by the time the present synagogue was erected in 1833. It is by now the oldest synagogue in continuous use under the American flag. The congregation was also among the first to receive copies of the...
In 1796, the Jews of St. Thomas founded the first Jewish congregation on this Caribbean island. By 1803, new arrivals from England, France, and the ne...
Sandy Koufax, Lenny Bruce, Bob Dylan, and Barbra Streisand first came to public attention in the early 1960s, a period Kaufman identifies as historically ripe for American Jews to reexamine their (Jewish) identities. All four achieved extraordinary success in their respective fields and became celebrities within an American context, while at the same time they were clearly identifiable as Jews--although they were perceived to be Jewish in very different ways. Kaufman investigates these celebrities' rise to fame, the specific brand of Jewishness each one represented, and how their fans and...
Sandy Koufax, Lenny Bruce, Bob Dylan, and Barbra Streisand first came to public attention in the early 1960s, a period Kaufman identifies as historica...
Although Woody Allen's films have received extensive attention from scholars and critics, no book has focused exclusively on Jewishness in his work, particularly that of the late 1990s and beyond. In this anthology, a distinguished group of contributors--whose work is richly contextualized in the fields of literature, philosophy, film, theater, and comedy--examine the schlemiel, Allen and women, the Jewish take on the "morality of murder," Allen's take on Hebrew scripture and Greek tragedy, his stage work, his cinematic treatment of food and dining, and what happens to "Jew York" when Woody...
Although Woody Allen's films have received extensive attention from scholars and critics, no book has focused exclusively on Jewishness in his work, p...
Allan Sherman was the Larry David, the Adam Sandler, the Sacha Baron Cohen of 1963. He led Jewish humor and sensibilities out of ethnic enclaves and into the American mainstream with explosively funny parodies of classic songs that won Sherman extraordinary success and acclaim across the board, from Harpo Marx to President Kennedy. In Overweight Sensation, Mark Cohen argues persuasively for Sherman's legacy as a touchstone of postwar humor and a turning point in Jewish American cultural history. With exclusive access to Allan Sherman's estate, Cohen has written the first biography of the...
Allan Sherman was the Larry David, the Adam Sandler, the Sacha Baron Cohen of 1963. He led Jewish humor and sensibilities out of ethnic enclaves and i...