From the hilarious mischief of the elf Puck to the rough humor of the self-centered Bottom and his fellow players, from the palace of Theseus in Athens to the magic wood where fairies play, Shakespeare's marvelous A Midsummer Night's Dream is a play of enchantment and an insightful portrait of the predicaments of love.

In this lively comedy of love and money in sixteenth-century Venice, Bassanio wants to impress the wealthy heiress Portia but lacks the necessary funds. He turns to his merchant friend, Antonio, who is forced to borrow from Shylock, a Jewish moneylender. When Antonio's business falters, repayment becomes impossible--and by the terms of the loan agreement, Shylock is able to demand a pound of Antonio's flesh. Portia cleverly intervenes, and all ends well (except of course for Shylock).

Treacherous, power-hungry, untempered by moral restraint, and embittered by physical deformity, Richard, the younger brother of King Edward IV, is ablaze with ambition to take England's throne. Richard III, Shakespeare's long chronicle of Richard's machinations to be king, is a tale of murder upon murder. He gains the throne, but only briefly. In a terrible dream, the ghosts of his victims visit the now-despised monarch to foretell his demise. Richard's death in battle the next day concludes his reign of evil, ushering in at last a new and hopeful era of peace for England.