This study brings together work on masculinity in film by established film scholars, academics, performance artists, and cultural critics. The essays analyze: the role of gay men in saving heterosexuality; the emergence of the new queer cinema; the resurgence of white masculinity; the exploration of masculinity in World War II films; and the relationship between nationhood and the male body in 1990s Canadian cinema.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

American cinema has always been violent, and never more than now: exploding heads, buses that blow up if they stop, leaking ocean liners, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from the silents to Tarantino, violence has been part of America on screen. Yet violence is traditionally a secondary concern of film criticism. This volume in the AFI Film Readers series analyzes violence, examining its nature, its effects, and its cinematic and social meaning. Thirteen contributions are organized in three parts: Theorizing and Historicizing Hollywood...

American cinema has always been violent, and never more han now: exploding heads, buses that blow up if they stop, leaking ocean liners, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from the silents to Tarantino, violence has been part of America on screen. Yet violence is traditionally a secondary concern of film criticism. This volume in the AFI Film Readers series analyzes violence, examining its nature, its effects, and its cinematic and social meaning. 13 contributions are organized in three parts: Theorizing and Historicizing Hollywood Violen ce,...

Authorship in film has been a persistent theme in the field of cinema studies. This volume revitalizes the question of authorship by connecting it to larger issues of identity - in film, in the marketplace, in society, in culture. Essays range from the auteur theory and Casablanca to Oscar Micheaux, from the American avant-garde to community video, all illuminating how authorship is a complex idea with far-reaching implications. This ambitious and wide-ranging book should be of interest to anyone concerned with film studies and the concept of the author.

The rapid growth of new media technologies is radically changing film production and consumption. New technologies such as DVDs, MP3s and the Internet have freed the audience from traditional ways of relating to what used to be termed mass media. In the face of such seismic shifts, the theoretical and pedagogical structures of film and television studies are being shaken to their core. New Media responds to these revolutionary developments, bringing together authors including Constance Penley and Henry Jenkins to address topics such as computer games, digital animation techniques, media...

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Charting the dramatic changes and the deep continuities that have characterized the cinemas of Eastern Europe in recent decades, this work questions and revaluates such notions as the 'European', 'postcommunist' and 'national' cinema.

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.