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The two essays in the volume turn to Art's domain as a source of inspiration and instruction for the construction of its concepts and the development of its problems. The first essay addresses the encounter of Gerard Titus-Carmel with Grunewald's famous altar piece, Crucifixion, in 159+1 variations, which take a musical form, or rather, whose form becomes musical; the second stages an encounter between the writings of Jean-Luc Nancy that patiently trace the interstices, gaps, and hollows that constitute "bodies" and the cinema of Claire Denis that invents an intensely sensuous relation to...

The two essays in this volume follow a long tradition in critical discourse that turns to art's domain as a source of inspiration, instruction, and as material for the construction of its concepts and the development of its problems. The case study of Suite Grunewald by the artist Gerard Titus-Carmel, returns to a subject that has been eclipsed in past decades by the imperative to remember: the creation of the new as an event, or rather, the event of the new as creation. This is an especially vexing problem following, on the one hand, the massive displacement of the subject as the...

This book is an homage to the spirit of philosopher Jacques Derrida and seeks to grasp the significance of his death on the rich corpus of his work in a voice that remains true to the faithful betrayals of Derrida s own works of deconstruction. The work is an exploration of both Derrida and deconstruction through the unusual prism of cinema and photography, bringing into play Gilles Deleuze s concept of creative repetition. The book also embarks on a detailed engagement with Derrida s oft-neglected book on drawing, "Memoirs of the Blind," and provides a subversive reading of that text,...