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Long before 'Reality TV, ' Canadian filmmaker Allan King caused a stir by mixing people's private and public lives in his 1969 documentary A Married Couple. This observational cinema piece, which took an unscripted look at the urban Edwards family, was deemed too contentious to air by commissioning network CTV on the grounds of excessive nudity and obscenity. Nevertheless, the documentary was accepted by the Cannes festival, and it is now cited as a milestone in realist filmmaking.

In Allan King's A Married Couple, Zoe Druick examines the film in the context of late...

Programming Reality: Perspectives on English-Canadian Television, the first anthology dedicated to analyses of Canadian television content, is a collection of original, interdisciplinary articles, combining textual analysis and political economy of communications. It explores the television that has thrived in the Canadian regulatory and cultural context: namely, programs that straddle the border between reality and fiction or even blur it. The conceptual basis of this collection is the hybrid nature of television fare: the widely theorized notion that all mediations of reality...

Long before 'Reality TV, ' Canadian filmmaker Allan King caused a stir by mixing people's private and public lives in his 1969 documentary A Married Couple. This observational cinema piece, which took an unscripted look at the urban Edwards family, was deemed too contentious to air by commissioning network CTV on the grounds of excessive nudity and obscenity. Nevertheless, the documentary was accepted by the Cannes festival, and it is now cited as a milestone in realist filmmaking.

In Allan King's A Married Couple, Zoe Druick examines the film in the context of late...