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From the end of the 1980s on, the concept of borders has undergone a series of new interpretations. Gloria Anzaldúa's Borderlands/La Frontera (1987) provided not only a different way of interpreting borders in literary studies; it also had a notable impact on cultural studies. The border concept also received novel treatment in sociolinguistics, thanks to a spatial shift coming from theoretical proposals in cultural geography, postcolonial theoretical perspectives, and increasingly a de(s)colonial gaze. What all these aforementioned perspectives have in common is an understanding of borders...