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During the past two generations, Jewish public thought and discourse has differed dramatically from that of the era between the Emancipation and the Second World War. The chasm of the Holocaust and the watershed establishment of a Jewish state has radically changed the Jewish intellectual landscape. With their two largest concentrations in Israel and the United States, the Jews are no longer a European nation. Above all, the Jews, for the first time since they went into exile, have become free individuals, with the right to choose between the land of their birth and their ancestral...

The last decade has marked the growing visibility and worldwide interest in Israeli cinema. Films such as Walk on Water, Or, My Treasure, Beaufort and Waltz with Bashir have been commercially and critically successful both in Europe and the United States and have won a number of prestigious international awards. This book examines for the first time the new ideological and aesthetic trends in contemporary Israeli cinema. More specifically, it critically explores the complex and crucial role of Israeli cinema in remembering and restaging traumas...

Raz Yosef explores Israeli cinemas role in the creation of national identity and the complex ways the marginalization of queerness became necessary to that goal.

Zionism was not only a political and ideological program but also a sexual one. The liberation of Jews and creation of a new nation were closely intertwined with a longing for the redemption and normalization of the Jewish male body. That body had to be rescued from anti-Semitic, scientific-medical discourse associating it with disease, madness, degeneracy, sexual perversity, and femininityeven with homosexuality. The...

In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention.

Tracing a long line of films from the 1940s up to the 2000s, the contributors use close readings of these films not only to reconstruct the past, but also to actively engage with it. Addressing both high-profile and lesser...