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Yanna Yannakakis traces the creation of Indigenous custom as a legal category and its deployment as a strategy of resistance to empire in colonial Mexico.

Yanna Yannakakis traces the creation of Indigenous custom as a legal category and its deployment as a strategy of resistance to empire in colonial Mexico.

In The Art of Being In-between Yanna Yannakakis rethinks processes of cultural change and indigenous resistance and accommodation to colonial rule through a focus on the Sierra Norte of Oaxaca, a rugged, mountainous, ethnically diverse, and overwhelmingly indigenous region of colonial Mexico. Her rich social and cultural history tells the story of the making of colonialism at the edge of empire through the eyes of native intermediary figures: indigenous governors clothed in Spanish silks, priests assistants, interpreters, economic middlemen, legal agents, landed nobility, and Indian...

In The Art of Being In-between Yanna Yannakakis rethinks processes of cultural change and indigenous resistance and accommodation to colonial rule through a focus on the Sierra Norte of Oaxaca, a rugged, mountainous, ethnically diverse, and overwhelmingly indigenous region of colonial Mexico. Her rich social and cultural history tells the story of the making of colonialism at the edge of empire through the eyes of native intermediary figures: indigenous governors clothed in Spanish silks, priests assistants, interpreters, economic middlemen, legal agents, landed nobility, and Indian...