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This paper offers a comprehensive study of Johann Sebastian Bach's Prelude and Fugue in A Minor, BWV 543, focusing on various recordings to gain deeper insights into Bach's performance practices. The research begins by exploring the historical context and structure of the work, followed by an analysis of articulation techniques used by different organists, highlighting commonalities and differences in their interpretations. While Bach's organ works are of lasting artistic value, the lack of articulation markings in the original scores, coupled with the passage of time, makes determining the...