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Handel ranks with Monteverdi, Mozart and Verdi among the supreme masters of opera, yet between 1754 (when Handel was still living) and 1920 not one of his operas was performed anywhere. Their revival in the modern theatre has been among the most remarkable phenomena in the history of the art. But they are still too little understood, or studied, and until recently no reliable modern editions existed. This long-awaited book is the sequel to l>Handel's Operas 1704-1726/l>, published in 1987. It is the first study in depth of Handel's last twenty-two operas, including major masterpieces such as...

This first of the classic two-volume survey of Handel's operas was first published in 1987 and reissued in a revised paperback edition in 1995. Now it is brought back into print in a year which has seen numerous productions and recordings of the operas and which marks the 250th anniversary of Handel's death. Their revival in the modern theatre - not a single opera was staged or performed anywhere between 1754 and 1920 - has been among the most remarkable phenomena in the history of the art, and is due in no small measure to the painstaking research of Dean and Knapp in volume one, and Dean...

This specially priced two volume set includes a reissue of the first volume, covering Handel's operatic works from 1704-1726 and originally published by Oxford University Press in 1995, and Winton Dean's acclaimed second volume (1726-1741), which first appeared in 2006. These volumes contributed to the revival of interest in these long-neglected works and are essential reading for anyone interested in Handel or the development of the opera as an art form.

Dent's lectures here show that romantic opera had its origins not in Germany but in the music-dramas of revolutionary France.