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Medievalism and medieval medicine are vibrant subfields of medieval studies, enjoying sustained scholarly attention and popularity among undergraduates. Popular perceptions of medieval medicine, however, remain understudied. This book aims to fill that lacuna by providing a multifaceted study of medical medievalism, defined as modern representations of medieval medicine intended for popular audiences. The volume takes as its starting point the fictional medieval detective Brother Cadfael, whose observations on bodies, herbs, and death have shaped many popular conceptions of medieval medicine...

The contributors have tried to reconstruct the mingling of two cultures, Greek and Italian, in sixteenth century Venice. This is examined through the medium of a single intricately carved wooden cross, executed by a Greek carver, with adaptations suitable to a member of the Latin church. We can identify the carver who made the cross and make some speculations about his life, and how he and his art are reflective of this hybrid culture. This type of cross seems to be for personal, rather than liturgical use, and it seems to be intended for private meditation on the Passion.