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Musicians have long been intentionally distorting guitar signals to create a wide variety of tones. Electronics were designed to produce these effects, perhaps none more popular than the Fuzz Face. The Fuzz Face is well known as being the effect of choice for 60s rock musician James Marshall "Jimi" Hendrix, and is still used by musicians today. However, modern day musicians have found that these devices vary greatly from unit to unit and cannot easily be modified.
This book explores the possibility of using circuit-level emulation to recreate the sound of the Fuzz Face digitally and allow for...