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Puritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry. In this study William Scheick explores one way in which William Bradford, Nathaniel Ward, Anne Bradstreet, Urian Oakes, Edward Taylor, and Jonathan Edwards mediated these conflicting imperatives. They did so, he argues, by creating moments in their works when they and their audience could hesitate and contemplate the central paradox of language: its capacity to intimate both...

The half-blood -- half Indian, half white -- is a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) served to symbolize many of the conflicting cultural values with which American society was then wrestling. In literature, as in real life the half-blood was a product of the frontier, embodying the conflict between wilderness and civilization that haunted and stirred the American imagination. What was his identity? Was he indeed "half Indian, half white, and half devil" -- or a bright link between the races from which would emerge a new American...

H. G. Wells was one of the most influential authors of the late 19th and early 20th centuries. He is best remembered today as the author of classic works of science fiction, such as "The Invisible Man," "The War of the Worlds," and "The First Men in the Moon." He was also the author of "The Outline of World History," an ambitious chronicle of the world from antiquity to the beginning of the 20th century. Through essays and reviews, this volume traces the critical reception of his works.

An introductory essay overviews Wells's literary career and provides a context for understanding his...

The romance genre was a popular literary form among writers and readers in the nineteenth and early twentieth centuries, but since then it has often been dismissed as juvenile, unmodern, improper, or subversive. In this study, William J. Scheick seeks to recover the place of romance in fin-de-siecle England and America; to distinguish among its subgenres of eventuary, aesthetic, and ethical romance; and to reinstate ethical romance as a major mode of artistic expression.

The authors whose works Scheick discusses are Nathaniel Hawthorne, H. Rider Haggard, Henry James, C. J. Cutcliffe...

Should women concern themselves with reading other than the Bible? Should women attempt to write at all? Did these activities violate the hierarchy of the universe and men's and women's places in it? Colonial American women relied on the same authorities and traditions as did colonial men, but they encountered special difficulties validating themselves in writing. William Scheick explores logonomic conflict in the works of northeastern colonial women, whose writings often register anxiety not typical of their male contemporaries. This study features the poetry of Mary English and Anne...