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In "Tests of Time" (2003), Gass shares his thoughts about writing, reading, culture, history, politics, and public opinion, including essays on classic writers and contemporaries, literary "lists" and their use, the extent and cost of political influences on writers, and the First Amendment. First published by University of Chicago Press.

First published in 1968, In the Heart of the Heart of the Country established William Gass as one of America's finest and boldest writers of fiction, and nearly fifty years later, the book still stands as a landmark of contemporary fiction. The two novellas and three short stories it contains are all set in the Midwest, and together they offer a mythical reimagining of America's heartland, with its punishing extremes of heat and cold, its endless spaces and claustrophobic households, its hidden and baffled desires, its lurking threat of violence. Exploring and expanding the limits...

"The World Within the Word," Gass's second published volume of criticism, is a landmark collection discussing Val?ry, Henry Miller, Sartre, Freud, Faulkner, suicide, "art and order," and the transformation of language into poetry and fiction. Revelatory and gorgeous, by turns humorous and devastating, it stands among Gass's best and most provocative books. First published by Knopf in 1978.

A wildly comic send-up of Irish literature and culture, "At Swim-Two-Birds" is the story of a young, lazy, and frequently drunk Irish college student who lives with his curmudgeonly uncle in Dublin. When not in bed (where he seems to spend most of his time) or reading he is composing a mischief-filled novel about Dermot Trellis, a second-rate author whose characters ultimately rebel against him and seek vengeance. From drugging him as he sleeps to dropping the ceiling on his head, these figures of Irish myth make Trellis pay dearly for his bad writing. Hilariously funny and inventive, "At...

Conversations with William H. Gass captures the imagination and philosophical acumen of one of America's most important aestheticians, critical theorists, fiction writers, and essayists.

From his first major novel, Omensetter's Luck (1966), to his numerous collections of essays and philosophical inquiries, to his controversial novel The Tunnel (1995), Gass (b. 1924) has proved himself a meticulous craftsman. Throughout these interviews, he reveals an aesthetic that combines ideas from sources as disparate as Ludwig Wittgenstein, Rainer Maria Rilke, Gertrude Stein,...