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More and more, just a few canonical classics, such as Michael Curtiz's "Casablanca" (1942) or Victor Fleming's "Gone With The Wind" (1939), are representing the entire output of an era to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s?

For the most part, these films will be forgotten, and their makers with them. Wheeler Winston Dixon argues that even obvious...

More and more, just a few canonical classics, such as Michael Curtiz s Casablanca (1942) or Victor Fleming s Gone With The Wind (1939), are representing the entire output of an era to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s?

For the most part, these films will be forgotten, and their makers with them. Wheeler Winston Dixon argues that even obvious historical...

Practically all mainstream cinema is "straight," and has been since its inception. In Straight, Wheeler Winston Dixon explores how heterosexual performativity has been constructed in film, from early cinema to the present day. In addition to discussing how cinematic visions of masculine and feminine desire have been commodified and sold to reinforce existing societal constructs, Dixon also documents the recent emergence of...

"Lost in the Fifties: Recovering Phantom Hollywood" reveals two 1950s: an era glorified in Hollywood movies and a darker reality reflected in the esoteric films of the decade. Renowned film scholar Wheeler Winston Dixon turns to the marginsthe television shows and films of a hidden Hollywoodto offer an authentic view of the 1950s that counters the Tinsel-town version. Dixon examines the lost films and directors of the decade. Contrasting traditional themes of love, marriage, and family, Dixon s 1950s film world unveils once-taboo issues of rape, prostitution, and gangs. Television shows...

They are shot on high-definition digital cameras--with computer-generated effects added in postproduction--and transmitted to theaters, websites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century--the product of digital technologies that have revolutionized media production, content distribution, and the experience of moviegoing itself.

21st-Century Hollywood introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital...

Brimming with rare stills, interviews, and detailed analysis of Fisher's films--both for Hammer as well as his earlier work--this is the ultimate "one-stop" book on Terence Fisher, both in his horror films, and his...

One of the peculiar aspects of recent American genre filmmaking is its apparent facelessness, its desire to subsume itself into the larger...

Film stocks are vanishing, but the iconic images of the silver screen remain -- albeit in new, sleeker formats. Today, viewers can instantly stream movies on televisions, computers, and smartphones. Gone are the days when films could only be seen in theaters or rented at video stores: movies are now accessible at the click of a button, and there are no reels, tapes, or discs to store. Any film or show worth keeping may be collected in the virtual cloud and accessed at will through services like Netflix, Hulu, and Amazon Instant.

The movies have changed, and we are changing with them....

They are shot on high-definition digital cameras--with computer-generated effects added in postproduction--and transmitted to theaters, websites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century--the product of digital technologies that have revolutionized media production, content distribution, and the experience of moviegoing itself.

21st-Century Hollywood introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital...

Before turning to filmmaking, Francois Truffaut was a film critic writing for Cahiers du Cinema during the 1950s. The Early film Criticism of Francois Truffaut makes available, for the first time in English, articles that originally appeared in French journals such as Cahiers du Cinema and Arts. Truffaut discusses films by such acknowledged masters as Hitchcock, Huston, Dymytryk, and Lang, but also examines the work of such lesser-known directors as Robert Wise, Don Weis, and Roger Vadim.